Thursday, February 01, 2018

Stolen Art Watch, Bulmer Trial June 2018, Hatton Garden Death Sentence, Night Prowler & Van Gogh Recap,

Hatton Garden burglar dies in prison

BEST QUALITY AVAILABLE Undated Metropolitan Police handout photo of Hatton Garden burglar Terry Perkins, 69, who has died in HMP Belmarsh.
 Undated Metropolitan Police handout photo of Hatton Garden burglar Terry Perkins, 69, who has died in HMP Belmarsh.

One of the £14m Hatton Garden jewellery raiders, Terry Perkins, has died in prison aged 69.
Perkins from Enfield, north London, was serving a jail term for the "largest burglary in English legal history".
One of four ringleaders of the 2015 raid, he was last week ordered to pay back £6,526,571 or face a further seven-year jail term.
Perkins and his fellow raiders stole goods after drilling into a vault at London's Hatton Garden Safe Deposit.
He was serving his sentence in HMP Belmarsh and is believed to have been ill for some time.
In a statement, the Prison Service said: "As with all deaths in custody, there will be an independent investigation by the Prisons and Probation Ombudsman."
Perkins was jailed for seven years, alongside two of the ringleaders, John "Kenny" Collins, 77, and Daniel Jones, 63, after pleading guilty to conspiracy to commit burglary in 2016.
Fellow ringleader Brian Reader, 78, who was too ill to attend the initial sentencing, was later jailed for six years and three months.
'Severe heart failure'
Last Tuesday, the gang members were ordered to pay back £27.5m between them or have their sentences increased.
Judge Christopher Kinch QC said the men jointly benefitted from an estimated £13.69m worth of stolen cash, gold and gems, but the value of the items could have been much higher.
Peter Rowlands, Perkins' barrister, said his client - who had been diagnosed with "severe heart failure" - would have to serve the extra time as there was "no prospect" of any further funds being recovered.
During last week's hearing, the judge said if any of the four could raise £6.4m to pay back, the others would each have that total taken off their confiscation order.
If that were the case it would bring the total amount paid back by the burglars to about £8.2m.
Perkins was caught after Hatton Garden investigators installed a listening device in his blue Citroen Saxo, on which he was recorded saying he planned to use his share of the spoils to fund his pension.
He was arrested with Collins and Jones, having dropped off a holdall containing some of the loot.
Perkins celebrated his birthday during the raid and was involved in all stages of the operation, including disposing of the stolen goods.
He was inside the Hatton Garden building posing as a builder and "working" inside the lift on 31 March during the raid, which was carried out over the Easter weekend in 2015.
When his home was searched police found jewellery, cash, blue workman's overalls and five pairs of white fabric gloves that were used by the burglars who aimed to leave no forensic evidence at the scene.
ROBBERS' PAL PLEA

Mystery Hatton Garden raider Basil urged to hand back £6.5m of loot as fellow blaggers handed longer jail sentences

A source said: 'The others are desperate for him to hand back a good percentage of it or else they will die in prison.'
MYSTERY Hatton Garden raider Basil is being urged by his fellow blaggers to hand back millions of pounds worth of booty under his control after they were given longer jail sentences.
Heist ringleaders Brian Reader, 78, Terry Perkins, 69, and John ‘Kenny’ Collins, 77, were given effective death sentences last week when they were ordered by a court to jointly hand back £6.45million of spoils from the safe deposit centre break-in.
Along with fellow main player Danny Jones, 63, they must stump up the money between them or each serve the whole of a seven-year default sentence under the confiscation order.
Coming on top of the seven years they are already serving for the £14 million Hatton Garden burglary, it is equivalent to the gang now serving 21-year jail sentences for the heist.
It is understood that Reader, 78, and Perkins, 69, who are both suffering major health injuries in jail, are the only gang members to know Basil’s identify.
They are said to be trying to get a message to him through a trusted confidante to persuade him to give back a large share of the treasure under his control.
Reader, nicknamed ‘The Master,’ lost out on the raid takings after pulling out when the gang failed to break into the vault on a first occasion during the Easter bank holiday of 2015.
Other gang members successfully broke in the following night but Perkins was caught red-handed by cops with his share of the spoils six weeks later.
Crafty Basil, who carefully concealed his face from CCTV cameras, was the only member of the gang to get away with the raid.
Basil ended up with three suitcases of jewellery and gold bars and is believed to have grabbed treasures in hiding after the Flying Squad pounced.
The elusive blingo blagger, thought to be a South London villain in his 70’s, is thought to be keeping a low profile in Spain.
But he is now being urged to come to the rescue of his criminal accomplices.
Reader, Perkins, Collins and Jones all own property in Britain and abroad.
And Collins also has £500,000 in a bank account.
But a source told The Sun on Sun: “Their joint assets don’t come to anywhere near the money they to find.
“Basil ended up with the lion’s share of the dough.
“The others are desperate for him to hand back a good percentage of it back or else they will die in prison.
“There is no way Brian, Terry or Kenny will survive it.
“They had been due to get out at the end of summer this year on the burglary sentences but that is now looking like a pipe dream.”
Detectives are hopeful the prospect of an extra seven years could entice either Reader or Perkins to name Basil.
However, former gang boss and blagger Fred Foreman, involved in the 1983 Security Express cash robbery with Perkins, said : “There is no way they will ever give up any names.
“They are both solid reliable men otherwise they wouldn’t have been on that job.”
Basil, in his 70s, is thought to be in Spain.

Men deny involvement in Bulmers cider family multimillion-pound artwork burglary

Susie and Esmond Bulmer outside their home (Aleisha Scott/PA)
Susie and Esmond Bulmer outside their home (Aleisha Scott/PA)
Eleven men have denied offences linked to a burglary in which millions of pounds worth of artwork and antique jewellery were stolen.
The raid was at the palatial home of Esmond and Susie Bulmer, members of the Bulmers cider family, in Bruton, Somerset in 2009.
During the incident £1.7 million worth of paintings and £1 million of antique jewellery were taken.
A total of 15 paintings were stolen, including the famous Endymion by 19th century English painter George Frederic Watts and Apple Blossom by early 20th century English artist Sir George Clausen.
All the paintings have been recovered, except for Sir John Lavery’s After Glow Taplow.
On Wednesday, 11 men appeared at Bristol Crown Court to deny a string of offences, including conspiracy to burgle and conspiracy to receive stolen goods.
Those charged are:
– Liam Judge, 41, of Crypt Court, Tuffley, Gloucester, who pleaded not guilty to conspiracy to burgle.
– Matthew Evans, 41, of Coral Close, Tuffley, Gloucester, who pleaded not guilty to conspiracy to burgle.
– Skinder Ali, 38, whose address was listed on court papers as HMP Full Sutton in Yorkshire, and who pleaded not guilty to conspiracy to burgle and conspiracy to receive stolen goods. He appeared in court via videolink from prison.
– Jonathan Rees, 63, of Village Close, Weybridge, Surrey, who pleaded not guilty to conspiracy to defraud and committing a series of acts intending to pervert the course of justice.
– Donald Maliska, 63, of Old Brompton Road, London, who pleaded not guilty to conspiracy to receive stolen goods and conspiracy to defraud. Maliska was excused attending court and pleas were entered on his behalf by his barrister.
– Mark Regan, 45, whose address was listed on court papers as HMP Long Lartin in Worcestershire, and who pleaded not guilty to conspiracy to receive stolen goods. He appeared in court via videolink from prison.
– David Price, 53, of Virginia Court, Camden, London, who pleaded not guilty to conspiracy to receive stolen goods and conspiracy to defraud.
– Ike Obiamiwe, 55, of The Drive, Sutton, Surrey, who pleaded not guilty to conspiracy to receive stolen goods and conspiracy to defraud.
– Thomas Lynch, 43, of St Benedict’s Road, Small Heath, Birmingham, who pleaded not guilty to conspiracy to receive stolen goods.
– Nigel Blackburn, 60, of Broad Street, Birmingham, who pleaded not guilty to controlling criminal property.
– Azhar Mir, 65, of Bufferys Close, Hillfield, Solihull, West Midlands, who pleaded not guilty to controlling criminal property.
The 11 defendants will face trial on June 4 at Bristol Crown Court for a case that could last up to two months.
Judge Julian Lambert released Ali and Regan on technical unconditional bail while their co-accused were all released on unconditional bail.
Mr Bulmer was Conservative MP for Kidderminster from 1974 to 1983. He was MP for Wyre Forest from 1983 until the general election of 1987 when he stepped down.
The art collector and his family made £84 million when they sold their stake in the family’s Hereford-based cider-making business.
Bulmers was founded in 1887 by Percy Bulmer, the 20-year-old son of a local Hereford clergyman.

Hatton Garden heist ringleaders’ likely to pay back fraction of £27.5m order

The four ringleaders behind the Hatton Garden raid – ordered to pay back £27.5 million or each face another seven years in jail – will likely end up paying only a fraction of the order.
John “Kenny” Collins, 77, Daniel Jones, 63, and Terry Perkins, 69, are serving seven-year sentences, while Brian Reader, 78, is serving six years and three months in jail, for their roles in the notorious burglary.
Judge Christopher Kinch QC said each jointly benefited from an estimated £13.69 million worth of cash, gold and gems stolen from boxes at Hatton Garden Safe Deposit in London’s jewellery quarter after a drill was used to bore a hole into the vault wall.
The men were told if they fail to pay a total of £27.5 million, each will have seven years added onto their current jail sentences, which could mean that some of the gang members, who are unwell, die behind bars.
But the Crown Prosecution Service, responding to the confiscation hearing at Woolwich Crown Court on Tuesday, said if one of the four paid an amount of nearly £6.5 million it would come off all their bills.
It means that if the figure of nearly £6.5 million is paid, the total amount recovered will likely be £8.2 million – significantly lower than the £27.5 million total value of the order set out in court.
Handing down his ruling, the judge said: “A number of these defendants are not only of a certain age, but have in some cases serious health problems.
“But as a matter of principle and policy it is very difficult to endorse any approach that there is a particular treatment for someone who chooses to go out and commit offences at the advanced stage of their lives that some of these defendants were.”
Collins, of Bletsoe Walk, Islington, north London, was ordered to pay £7,686,039 after the court heard he had assets in “liquid form” and property in this jurisdiction and abroad.

Brian Reader is likely to die in prison, his lawyer said (Police/PA) 
Brian Reader is likely to die in prison, his lawyer said (Police/PA)
Perkins, of Heene Road, Enfield, was told he must pay £6,526,571.
His barrister Peter Rowlands said Perkins’ flat in Portugal would have to be sold, but said his client, who has been diagnosed with “severe heart failure”, would have to serve the default sentence as there was “no prospect” of any further funds being recovered.
Jones of Park Avenue, Enfield, north London, was ordered to hand over £6,649,827.
His barrister Graham Trembath QC said Jones’ only assets were cash in a bank account and he “will have to serve the default term”.
Reader, who was not in court, was told he must pay back £6,644,951, including the sale of his £639,800 home and development land worth £533,000.
Tom Wainwright, representing Reader, said his client’s sentence “does not have to be very long for it to mean, in reality, he will serve the rest of his life in custody”.
Crown Prosecution Service spokesman Nick Price, speaking after the hearing, said: “These defendants were involved in one of the most notorious burglaries of recent times and much of the property that was stolen has not been returned to its owners. Some defendants will have to return the money to their victims as compensation.
“If further funds or assets of the defendants become available, the CPS will ask the court to increase these confiscation orders until the full benefit figure has been paid.
“The group’s default sentences will meant that if the defendants do not pay their confiscation orders, they will have extra time added to their prison terms.”

Hatton Garden loot will be put up for sale
Almost £700,000 worth of jewellery stolen in the Hatton Garden raid will be put up for sale at a public auction.
The items are part of a £4.3 million haul seized by police following the £13.69 million burglary at Hatton Garden Safe Deposit in London’s jewellery quarter.
Some £3,635,000 of the loot – stolen from boxes after a drill was used to bore a hole into the vault wall – has been identified and will be returned to its rightful owners.
But the rest of the recovered jewellery, made up of less distinctive items such as gold chains, cannot be claimed by any of around 40 people who lost out in the heist.
On Friday, a Metropolitan Police spokesman confirmed the goods – worth an estimated £689,233 – will be sold off at public auction, but the auctioneer and date of the sale are yet to be decided.
The proceeds will go to the victims of the burglary and the amount raised will also be deducted from the massive confiscation order levelled at the four ringleaders behind the raid.
It is understood that either the police or the court service will put the contract up for tender to find an auctioneer to sell the items.
The plans first emerged at a confiscation hearing at Woolwich Crown Court this week, where the men were told they must pay back sums ranging between £6.5 million and £7.6 million – a total of £27.5 million – or each face another seven years in jail.
John “Kenny” Collins, 77, Daniel Jones, 63, and Terry Perkins, 69, are already serving seven-year sentences, while Brian Reader, 78, is serving six years and three months in jail.
The Crown Prosecution Service said if one of the four paid an amount of nearly £6.5 million it would come off all their bills, meaning the total recoverable amount is likely to be only £8.2 million.
They will have to hand over cash and sell properties in the UK, Spain and Portugal to pay back some of the money.
But the court heard some of the men cannot pay their bills and will have to serve their extended sentences
Their ages and various health problems mean they could die behind bars.
The gang ransacked 73 boxes in the raid (PA)
Judge Christopher Kinch QC said the total value of goods stolen was £13,690,331, while the value of stolen property seized by police was £4,324,437.
In his ruling, he said: “Of the items in the possession of the police, property worth £3,635,204 has been identified to a sufficient degree to warrant its restoration to individual victims of the burglary.
“That property is now available to be restored. The police also have property to the value of £689,233 which cannot be accurately or safely identified (for example generic gold chains lacking in individual identifying features).
“As things stand, that property may end up being sold at auction to realise a sum that can be distributed.”

Kate Moss painting to sell under Proceeds of Crime Act

A celebrity art dealer who stole nearly £500,000 worth of artwork owns just a half-share in a Kate Moss painting and a £50 car, a court has heard.
Jonathan Poole, 70, who represented the art estates of John Lennon and Ronnie Wood, was jailed last year.
He made over £435,000 in 30 years, selling artwork he was not entitled to or taking percentages of profits.
But at a Proceeds of Crime hearing, Gloucester Crown Court heard his assets were worth just £15,050.
The thefts were made between 1986 and 2013 from British collectors including Dire Straits' bass guitarist John Illsley and a German art dealer.
The stolen items included paintings of Princess Diana, Mick Jagger, Bob Dylan and Bono.
Prosecutors dubbed the case the Jonathan Poole Affair, after the hit Hollywood film The Thomas Crown Affair.
At a proceeds of crime hearing on Tuesday it was revealed Poole's only assets were a £50 scrap car and a painting he part-owned of model Kate Moss by German artist Sebastian Kruger, estimated to be worth £30,000.

'Wins the lottery'

Prosecutors said they were not bothered about recouping the value of the car but asked the hearing to be adjourned for six months so Poole's share in the Kate Moss painting could be bought out or the artwork sold outright.
James Ward, prosecuting, said: "In reality, unless Mr Poole comes into real money or wins the lottery the police would not come after him for further money."
Poole, who was not represented and appeared by videolink, confirmed he would not be challenging the prosecution's figures and agreed to the Kruger painting being sold.
The hearing was adjourned until 20 July.

Police probe links between 'Night Watcher' and 'Wimbledon Prowler' as detectives fear soldier burglar is same man who carried out crime spree over 12 years in south London

A "highly professional" armed burglar responsible for several multi-million pound raids in the Home Counties may be linked to a prolific intruder known as the 'Wimbledon Prowler', police said.
The violent thief dubbed 'The Night Watcher' has carried out at least seven burglaries since November 2014 and is said to be an expert in covert surveillance.
Surrey Police said his meticulous research, athletic ability and use of a sawn-off shotgun made them think he could have an armed forces background.
And Detective Inspector Dan O'Sullivan told the Standard the burglar bore striking similarities to the unsolved case of the Prowler, a thief responsible​ for a 12-year series of raids in south west London.

Police are hunting a 'professional' armed burglar, pictured here at a house in Maidenhead (PA)
He said he saw similarities in the "high level of planning" and "reconnaissance" used by both individuals.
The Prowler is known for his ability to dismantle security alarms, dodge homeowners and scale properties.
He has stolen cash and valuables worth up to £10 million from up to 200 homes.
Meanwhile, the Night Watcher is believed to spend weeks staking out addresses to track the movements of his potential victims.

Burglary: The Wimbledon Prowler bends over a safe before making off with it
The thief is also thought to have entered some homes prior to the raids to understand their layouts.
Victims have suffered beatings by the thief and claim to have been tied up by him during the raids.
In each of the seven raids, the burglar has been alone. He is said to use a sawn-off shotgun and shows willingness to use violence to threaten victims, even when children are at home.
He has targeted high-value jewellery and other valuables netting goods worth at least £1 million from each of the seven raids linked to him, although police believe he may have carried out further burglaries where residents were not at home at the time.

CCTV: Scotland Yard want to identify the man pictured in 2008 (Metropolitan Police)
Surrey Police have released a description of the lone raider as white, stocky or muscular build, about 6ft tall with a south of England accent.
And the Scotland Yard officer said he is liaising with police investigating the Night Watcher to see if there is a link between the two individuals.
He said: "There are similarities about how he conducts reconnaissance - about how he sits and watches.
"If someone sits and watches in a garden for a number of hours there is a similarity [with the Prowler]."
Commenting on resemblances with the Night Watcher's "professional" techniques, he said that the Prowler was a "disciplined individual".
He said: "He may or may not be from the military but we don't develop those disciplines overnight."
The cat burglar has been targeting homes in the affluent part of south west London since 2006.
The man cases houses, disables security systems, and uses lockpicks to gain entry into homes to ransack them.
Victims have included former footballer Nicolas Anelka, who chased the man across his garden, and tennis champion Boris Becker. The intruder also often targets homes more than once.
At his peak the Prowler reportedly carried out 20 raids in four months, but he is not believed to have struck this winter.
In a three-year period between November 2014 and October 2017, the Night Watcher, who left little forensic evidence, carried out seven raids - two in Kingswood, Surrey, and others in Maidenhead, Berkshire; Chichester, West Sussex, Sevenoaks, Kent; Maidstone, Kent, and Virginia Water, Surrey.

Dealer of works stolen by Jasper Johns's assistant can be charged with racketeering, court rules

The decision adds another wrinkle to the unsettled case law surrounding liability in art fraud

A Manhattan district court has ruled in favour of the Equinox Gallery of Vancouver, Canada in its civil suit against the New York art dealer Fred Dorfman, who was implicated in a scheme to sell stolen work by the US artist Jasper Johns, but who has never faced criminal charges. Equinox alleges that Dorfman was involved in racketeering activity when he sold the gallery a stolen painting for $800,000 in 2008. In a 25 January ruling, Judge George B. Daniels wrote that the Canadian gallery can seek a RICO (Racketeer Influenced and Corrupt Organizations) claim against Dorfman.
Equinox's complaint alleges that Dorfman, who runs Dorfman+ gallery in Chelsea, knowingly sold around 37 unfinished or discarded works that Johns' former assistant, James Meyer, stole from his employer's studio in Sharon, Connecticut, between the 1990s and 2012—sometimes taking pieces directly from the trash. Meyer claimed they were personal gifts from the artist and worked with Dorfman to sell them, making around $9m. In 2015, Meyer pleaded guilty and was sentenced to 18 months in prison and restitution.
While Dorfman has said he was also a victim of Meyer’s fraud, Equinox alleges he instigated the entire scheme. After meeting Meyer, the judge's decision states, "Dorfman embarked on a campaign to convince Meyer to allow him to represent the latter as an independent artist. What Meyer did not know, however, was that Dorfman never intended to represent him or his interests, but rather sought only to use him to gain access to Jasper Johns' artwork." The ruling adds that Dorfman sought to pass off the works as authentic and with good title by getting Meyer to sign affidavits that they were gifts, creating counterfeit labels that made it seem Johns authorised their sale, and assuring prospective buyers in writing that the works would be included in the Jasper Johns catalogue raisonne and recorded in his archives. In its suit, the gallery accuses Dorfman of mail fraud, wire fraud, and interstate transport of stolen goods.
According to the ruling, Dorfman can be sued for triple damages ($2.4m) and attorney fees. The judge also found that the allegations provided sufficient grounds for a jury to award Equinox punitive damages.
“I dispute each and every allegation that accuses me of any and all wrongdoing,” Dorfman said in an email. Dorfman's lawyer, Gerald Di Chiara, says, "We are pleased that one cause of action [break of warranty] was dismissed," adding that "now it is a very triable case since Dorfman was not part of a fraud."
Several recent fraud cases have grappled with the responsibility of confirming proper title, with the onus usually falling to the buyer of the work to perform due diligence before the sale. This ruling suggests that standard may not apply to all cases. "The Court here was clear that the law doesn't require a victim of art fraud to establish that it went through some specific formulaic diligence procedure before agreeing to a deal," says Judd Grossman, of Grossman LLP, the firm representing Equinox in the case. He adds: "Reasonable reliance can look different depending on the specifics of a case."

Ronald Lauder Takes Germany To Task Over Lack of Action on Art Restitution

Fate of Düsseldorf exhibition on Jewish art dealer Max Stern, still without a start date, appears to be mired in local politics

Last night Ronald Lauder, the American businessman, art collector, and president of the World Jewish Congress, demanded that Germany do more to address Nazi-era art theft, a subject that, 73 years after the end of World War II, is still far from being resolved.
At the Axel Springer Journalists Club in Berlin, Lauder hosted an event to mark the beginning of the 20th-anniversary year of the Washington Declaration. In signing the 1998 pact, Germany, along with 43 other nations and 13 nongovernmental organizations, voluntarily committed itself to the recovery of art stolen by the Nazis or forcibly sold under Third Reich duress.
Lauder was direct in his criticism of the current state of restitution in Germany. He preceded his remarks by saying, “I may not be welcome here after what I say, but I think it is best to be completely honest with all of you.”
“The fact that we are still dealing with this topic is simply not acceptable,” said Lauder. “If Nazi-Germany had not stolen so much Jewish owned art in the first place, we would all be doing something else tonight.”
He pushed for action, remarking that “Germany has promised much, but has, so far, done the bare minimum to solve this problem.”
AN EXHIBITION CANCELED, THEN ABRUPTLY REINSTATED
In last night’s audience was Düsseldorf mayor Thomas Geisel whose recent controversial actions Lauder alluded to with his remark that among those to blame are “local politicians who cancel long-planned exhibitions for either political gains or other reasons.”
One of 2017’s most disturbing art world events happened last November, when Geisel abruptly canceled “Max Stern: From Düsseldorf to Montreal,” an exhibition about the life of one of the city’s renowned Jewish art dealers and his persecution by the Gestapo, who forced him to sell more than 200 paintings in 1937. Among his reasons for terminating the show, which was to have opened this week at the city’s Stadtmuseum, Geisel cited claims against the city by Max Stern’s estate.

Max Stern in Germany around 1925.
WIKIMEDIA COMMONS
On December 21, just one month later, Geisel did an about-face following an outpouring of international anger. He announced that the exhibition was back on in Düsseldorf, and that it would travel to Haifa, Israel, as originally planned, and then on to the McCord Museum in Montreal (where Stern settled after he fled Düsseldorf) in 2019.
In the wake of the cancellation, Geisel’s most influential and effective critic has arguably been Lauder, who in a statement released by the World Jewish Congress on November 29, remarked, “Considering the fact that the current German government has made tremendous progress in regard to provenance research, canceling this exhibit would be a major setback, especially for the victims of the Holocaust and their heirs.”
On the same day that Lauder made this comment, Hagen Philipp Wolf, speaking on behalf of the German culture minister, Monika Grütters, condemned Düsseldorf’s termination of the Stern exhibition, calling the decision “beyond regrettable” and adding that “exhibitions aimed at confronting Nazi wrongs are more necessary than ever at the current time.”
One of the exhibitions Grütters was referring to was “Nazi Art Theft and Its Consequences,” which opened on November 3 in Düsseldorf’s neighboring city, Bonn, to spotlight the 2013 discovery of more than 1,500 works—many owned by persecuted Jews—hidden for decades by Cornelius Gurlitt, the son of a Nazi art dealer. Grütters described the Gurlitt show as a manifestation of her commitment to “how important research into this bitter chapter of Nazi policy remains.”
NO FIXED DATE
While the Stern exhibition has been reinstated, questions remain about whether it will ever come to fruition. On Tuesday, Mayor Geisel told ARTnews by phone that a fixed date for the show is yet to be determined. In addition to Geisel’s reluctance to state the show’s exact time (though “a tentative date of November 29, 2018” has been given for a symposium on Stern, to take place at the Stadtmuseum), he explained that the vision for the exhibition will be “modified” and it will involve a new, yet-unnamed curator.
According to Dr. Willi Korte, the Bavarian-born, Washington-based lawyer, historian, and internationally renowned restitution and provenance expert, Geisel’s announcement that he was reinstating the exhibition may likely be “a fig leaf,” one that was put in place as a political maneuver to “stop all the bleeding following the cancellation.”
Lauder has a more diplomatic view. He told ARTnews by email Wednesday, prior to his Journalists Club speech in Berlin, “I welcome the Mayor’s decision to reopen the Max Stern exhibition. Now, it will be of fundamental importance that the city of Düsseldorf design a concept that convinces the international partners in Canada and Israel to reengage—as was the case with the original plans.”
A PAINTING RESTITUTED

Wilhelm von Schadow’s Self Portrait of the Artist, 1805.
WIKIMEDIA COMMONS
The genesis of “Max Stern: From Düsseldorf to Montreal” was the Stadtmuseum’s April 2014 restitution of Self-Portrait of the Artist by the 19th-century Romantic painter Friedrich Wilhelm von Schadow. An early director of the Düsseldorf Academy, von Schadow shaped one of Europe’s most famous art schools, the alma mater of Joseph Beuys, Gerhard Richter, and Andreas Gursky.
The Stern estate located the painting in the catalogue for “The Hudson on the Rhine,” a 1976 exhibition at the Dusseldorf Kunstmuseum of mid-19th-century American artists who had attended von Schadow’s academy. The estate tracked down the painting at the Stadtmuseum, which was unaware of the work’s tainted provenance.
Self-Portrait of the Artist was among the paintings that Stern put up for sale on November 13, 1937, after Nazi law deemed him incapable of promoting German culture because he was Jewish. Faced with no other option, Stern liquidated the inventory of his family’s well-regarded Rhine Valley art dealership, the Galerie Stern. He listed the items at depressed prices in sale No. 392 at Cologne’s Third Reich–approved auction house Lempertz—infamous for trafficking “non-Aryan property” and where Cornelius Gurlitt sold a work by Max Beckmann in 2011.
After escaping Germany, Stern settled first in London, then in Montreal, where he rebuilt his life and became director of the Dominion Gallery of Fine Art. Stern never saw a penny from the Lempertz sale; its proceeds were ransomed by the Nazis to obtain his mother’s exit visa to leave Germany.
After Stern’s death in 1987, his heirs, and Montreal’s Concordia and McGill Universities, and the Hebrew University in Jerusalem, learned of the dealer’s losses during the Nazi era, including the art that he sold under duress in 1937—facts that Stern had never discussed during his lifetime. (Having no family, Stern left his estate to three universities.)
To break Stern’s silence, his executors established the Max Stern Art Restitution Project “to meaningfully address his losses,” said Clarence Epstein, the organization’s director. Today, the initiative is one of the world’s most notable programs investigating Holocaust-era cultural theft. Since three universities run the project, all proceeds from the sale of any restituted works go back to the organization. “We are a perpetual plaintiff,” said Epstein. “Our goal is to put Max Stern back into the cultural narrative by reclaiming his art, no matter what its current market value is, to further the study of Nazi-era art restitution.”
Epstein’s message resonated with Dr. Susanne Anna, director at the Stadtmuseum. At the restitution ceremony for von Schadow’s Self-Portrait of the Artist in 2014, she stated before an auditorium packed with international media that her museum would organize an exhibition examining the place of Stern and his gallery in Düsseldorf’s cultural life before the Nazis erased the names of Jewish art dealers from the city’s history.
CURATOR TO BE ADDED ‘FOR BALANCE’
To put together the exhibition, Anna recruited the world’s leading Stern experts: the National Gallery of Canada archivist Philip Dombowsky (who manages all of Stern’s papers, including those he took with him while escaping Germany) and Montreal professor Dr. Catherine Mackenzie, who curated an exhibition on the 1937 Lempertz sale in which Stern liquidated his assets. Dr. Anna worked on the show for three years, forging partnerships with Haifa’s Museum of Art and Montreal’s McCord Museum, the venues for the exhibition following Düsseldorf.
Although Mayor Geisel has committed to reinstating the Stern exhibition, its vision and mandate will differ from what Dr. Anna had planned. In the days following Geisel’s cancellation of the exhibition he explained that its curatorial focus was not “balanced enough” because of its heavy reliance on Canadian scholarship.

Thomas Geisel, the mayor of Düsseldorf.
OB_THOMASGEISEL/TWITTER
Geisel told ARTnews that “one or two more [curatorial] personalities” need to be added to the exhibition team “for balance.” Yet there are no leading scholars on Stern in Germany, the country he was forced to flee. Stern took his life, possessions, and papers to Canada, which became a stronghold for study on him. Until Geisel announces the show’s new curatorial additions, its scope and vision remain unresolved.
If, as Lauder points out, a key component of ensuring the exhibition’s success lies in convincing Düsseldorf’s international partners to reengage, the likelihood of the exhibition taking place at all is low. The Stadtmuseum has contacted neither Dombowsky nor Mackenzie as to what role, if any, they might play in the newly conceived exhibition.
“I am still hoping to be instrumental in bringing the story of the Stern family in various art worlds to the attention of an audience in Germany that would, I believe, find it fascinating,” Mackenzie said. She added, however, that “there has not been confirmation from [Düsseldorf’s] cultural department of funding for the revived project, funding for the earlier success of which was fractured by the cancellation. It is [also] unclear what the relationship is intended to be between the symposium and the reinstated exhibition.”
DÜSSELDORF MAYOR MET WITH CRITICS DURING U.S. VISIT
Last Thursday and Friday Mayor Geisel visited North America. His itinerary included New York and Washington, D.C., where he met with his most outspoken critics, including Georgetown University professor and lecturer in theology and fine arts Dr. Ori Z. Soltes and Marc Masurovsky, co-founder of the Washington-based Holocaust Art Restitution Project. Conspicuously absent from the mayor’s trip was a stop in Montreal. “This leaves a lot of unanswered questions,” said Soltes. “While Geisel may have many strong intentions to see the exhibition happen, there are key details that need to be filled in before this can happen, including how he will work with the Max Stern Restitution Project.”
Epstein told ARTnews he will comment on this subject once he receives a report from Düsseldorf as to how the reinstated exhibition will unfold. “As with any international exhibition that has been publicly announced, by now there should be concrete information about its proposed timing, scope, funding, organization, catalogue, and curators,” he said. “Yet on all of these matters, we await information and answers.” In the meantime, the Restitution Project continues to focus on its core mission: recovering paintings that were stolen from Stern.

Max Stern.
JEWISH SENIORS ALLIANCE
This controversy is the central one when it comes to whether or not the Stern exhibition will happen. “It all comes down to the fact that while there are many Germans who want to do what is morally correct and return Nazi-looted art,” said Epstein, “according to the country’s civil law, property cannot be reclaimed more than 30 years after it was lost or stolen.” Nazi-era art restitution in Germany has been particularly challenging since the door to reclaiming works through German courts shut in 1975.
“Keep in mind that Geisel first said he canceled the exhibition because Max Stern’s estate has claims against the city of Düsseldorf,” said Epstein. “Claims that the city rejects.” Lauder noted in his November 29 statement that it was absurd that the city’s officials justified their cancellation of the exhibition “because victims of Nazi art loot[ing] and their heirs are still looking for their property.”
If Korte is correct in his characterization of the reinstatement of the exhibition as a “fig leaf,” it is likely that the show’s planning is being dragged out intentionally. This would allow the Stern exhibition to serve as a smoke screen for Geisel, something he can use so as to appear sympathetic toward recovering art stolen during the Nazi era while holding power in a city “that has deep ties to German industry,” said Korte, “and a record of being unsympathetic toward restitution claims.” (Geisel is expected to seek reelection in 2020.)
As Lauder made clear in his address last night, while the Washington Declaration was a historical landmark, the pact has never been legally binding. When it comes to addressing restitution in Germany, he said, “the huge gap between official announcements and actual deeds must end.”
It remains to be seen whether Lauder’s most recent criticisms will have an effect in Düsseldorf. “Lauder’s words already once significantly affected Geisel’s thinking,” said Epstein. “Hopefully, his comments last night will make a renewed impact on the mayor.”

How art thieves behind the infamous £80million Van Gogh heist could have traded the stolen paintings for drugs or arms on the black market (but only for TEN PER CENT of their true value)

  • Priceless paintings by Van Gogh were stolen from Amsterdam museum in 2002
  • Seascape at Scheveningen and Congregation Leaving the Reformed Church in Nuenen were taken in under four minutes 
  • Octave Durham and accomplice Henk Bieslijn were convicted of the heist 
  • But the now untraceable artworks had long since been sold on the black market
  • Some 14 years later they were discovered concealed in an Italian mafia hideout  
  • The FBI has described the heist as one of the top 10 art crimes of all time 
When a pair of burglars escaped from Amsterdam's Van Gogh Museum on a frosty December morning in 2002 with two of the artist's priceless 19th Century paintings in tow, it sent shock waves through the art world. 
But despite pulling off a theft the FBI called one of the top 10 art crimes of all time - and in less than four minutes - Octave Durham and his accomplice Henk Bieslijn still had work to do.
They now found themselves in possession of two paintings that were valued by investigators at a combined £80million, but were impossible to sell through ordinary channels - given that any attempt to do so would immediately link them to the heist of the century.
Now a new documentary, Stealing Van Gogh, has revealed how Durham and Bieslijn's links to the criminal underworld allowed them to get the red-hot spoils of their audacious raid off their hands for a jaw-dropping sum - albeit one far less than the paintings were actually worth. 
In it, independent arts crime investigator Arthur Brand explains how stolen art is used as a 'bank note' to be traded for arms or drugs in the criminal underworld - with a 'standard value' of 10 per cent of the figure it would fetch on the open market.
Presenter Andrew Graham-Dixon pieced together the story of the two paintings in BBC Two documentary Stealing Van Gogh
Presenter Andrew Graham-Dixon pieced together the story of the two paintings in BBC Two documentary Stealing Van Gogh
The two thieves - Octave Durham and his accomplice Henk Bieslijn - climbed a ladder and smashed a window
They then escaped down the front of the building
The two thieves - Octave Durham and his accomplice Henk Bieslijn - climbed a ladder (left) and smashed a window. They then escaped down the front of the building (right)
They had tied a rope around a flagpole before the theft, and climbed down it after grabbing the two paintings, but they made a mistake - leaving behind a hat with DNA on it
They had tied a rope around a flagpole before the theft, and climbed down it after grabbing the two paintings, but they made a mistake - leaving behind a hat with DNA on it
Presenter and art historian Andrew Graham-Dixon pieced together the story of the two paintings, and explored the wider world of art crime in the BBC Two documentary Stealing Van Gogh 
Seascape at Sheveningen, painted in 1882, and Congregation Leaving the Reformed Church in Nuenen, which is dated between 1884 and 1885, were taken from Amsterdam's Van Gogh Museum on December 7 2002 by thieves who climbed on to the roof, used sledgehammers to smash reinforced security glass, and swiped the two artworks closest to the hole they'd made - escaping via a rope tied to a flagpole less than four minutes later.
Video playing bottom right...
Octave Durham, pictured, along with his accomplice Henk Bieslijn were behind the 2002 theft
Octave Durham, pictured, along with his accomplice Henk Bieslijn were behind the 2002 theft
It would be some 14 years before they were finally recovered, almost 2,000km away in a mafia hideout in Naples, Italy.  
At the time of the heist, neither painting had ever been sold, meaning they had no market value, but investigators estimated the value of the stolen works at £80million.  
According to Brand's insight, this would suggest the criminals had £8million in black market goods on their hands. 
Indeed, police who tapped the duo's phones after DNA matching that of the convicted crooks' on hats left at the scene of the crime on December 7 2002, heard conversations about money that indicated they had sold the paintings on by 2003 or 2004. 
Evidence suggested the pair went on to splurge on luxury watches, cars, and trips to New York and Disneyland Paris, proving the fact the paintings were stolen did not prevent them exchanging hands for cash.  
'The art world and the criminal world are far more incorporated than people think,' Brand said in the documentary. 
View of the Sea at Scheveningen (pictured) was one of two oil painting by Vincent Van Gogh worth millions of dollars which was snatched by thieves on December 7, 2002
View of the Sea at Scheveningen (pictured) was one of two oil painting by Vincent Van Gogh worth millions of dollars which was snatched by thieves on December 7, 2002
Congregation Leaving the Reformed Church in Nuenen was the other oil painting that was stolen, portraying the village where Van Gogh's parents lived
Congregation Leaving the Reformed Church in Nuenen was the other oil painting that was stolen, portraying the village where Van Gogh's parents lived
The paintings eventually ended up in Italy, where they were discovered secreted behind a false wall inside a Camorra safe house in Naples (pictured)
The paintings eventually ended up in Italy, where they were discovered secreted behind a false wall inside a Camorra safe house in Naples (pictured)
'Stolen art goes from hand to hand very quickly, it is used as a bank note in the criminal underworld. They use it for trading arms, drugs…
'The standard value is ten per cent. It means if you steal a painting worth £10million you can use it as a bank note for £1million - ten percent of the value on the open market,' he said. 
While they were stolen from the Van Gogh Museum in Amsterdam, the paintings eventually ended up in Italy, secreted behind a false wall inside a Camorra safe house in Naples.   
Independent arts crime investigator Arthur Brand was one of the men on the trail of the missing artworks, and explained how paintings can become valuable currency
Independent arts crime investigator Arthur Brand was one of the men on the trail of the missing artworks, and explained how paintings can become valuable currency
They were recovered in 2016, 14 years after the original theft, and returned to the Van Gogh Museum in Amsterdam
They were recovered in 2016, 14 years after the original theft, and returned to the Van Gogh Museum in Amsterdam
An elite art crime squad within the Italian Carabinieri carried out investigations into the stolen artworks, and told Graham-Dixon of their conviction the two thieves were only successful in their theft because they liaised with an 'insider' within the Van Gogh Museum.
The paintings were eventually recovered in 2016, 14 years after the original theft and returned to the Van Gogh Museum in Amsterdam. 
But not before they had been passed from pillar to post as the thieves tried to rid themselves of the precious but incriminating pieces. 
Since the Nazi’s first confiscated a Van Gogh painting in 1937, more than 40 of his masterpieces have been stolen in 15 separate heists from galleries all over the world. 
While many of the missing works have since been recovered, it’s believed there are still around 85 of Van Gogh's masterpieces in unknown locations around the world.
An art dealer who lives in the famous Exorcist House in Lynn is offering a £2,000 reward in a bid to recover a trove of stolen paintings. Roland Bachkauskas was on holiday in Spain when he received a worrying phone call from police informing him that £20,000 worth of paintings had been stolen from his property.

Read more at: https://www.lynnnews.co.uk/news/reward-issued-in-bid-to-recover-stolen-artworks-from-king-s-lynn-property-1-8348965
An art dealer who lives in the famous Exorcist House in Lynn is offering a £2,000 reward in a bid to recover a trove of stolen paintings. Roland Bachkauskas was on holiday in Spain when he received a worrying phone call from police informing him that £20,000 worth of paintings had been stolen from his property. It is thought the crooks made off with 17 original artworks and a handful of jewellery after forcing entry through the back door. He said: “I believe this was a prearranged hit because it seems to have been quite an organised operation. “My property has previously been advertised online on Rightmove and this would have given the thieves a tour of my home.” Mr Bachkauskas, who has been collecting and restoring artworks for nearly 40 years, says the thieves appear to have “randomly” selected pieces based on their age. Among the artworks stolen from the propety in Pilot Street are 17th-, 18th- and 19th-century works which are believed to be valued between £220 and £2,000. Mr Bachkauskas’ record of stolen paintings includes The Mussel Gatherers by Robert McGregor, which depicts a Breton family on a beach carrying baskets, The Patron saints of Malagas, which shows St Ciriaco and St Paula in a sunlit sky above a sea view in Malagas, Spain, and a still life of vegetables in a basket by Walter Dexter, among more. Mr Bachkauskas has been in contact with national and international collectors to inform them of his situation and to ask them to “keep an eye out” for his stolen artworks. He added: “The thieves appeared to have come in through the back garden. “There were gaps on the walls from where they had taken paintings as well as some paintings down from the walls and stood up on the floor. “They also took some jewellery.”

Read more at: https://www.lynnnews.co.uk/news/reward-issued-in-bid-to-recover-stolen-artworks-from-king-s-lynn-property-1-834896

Monday, January 01, 2018

Stolen Art Watch, Art Crime New Year, January 2018

Scotland Yard Art and Antiques Unit re-formed

The Metropolitan Police’s Art and Antiques Unit, disbanded in the wake of the Grenfell Tower fire, has been re-formed after fears London was at risk from an increase in the theft and fraud of cultural items.
Following the tragic Grenfell Tower fire on June 14 the entire art crime squad was disbanded and seconded to help with the inquiry.
Now the unit’s detective constables Ray Swan and Sophie Hayes have returned to the department joining new supervisor, detective sergeant Rob Upham. A third detective constable is due to join the team in the next few months.
Upham, speaking to Antiques Trade Gazette said: “We’ve already started instigating investigations, have already yielded one arrest and from another investigation have recovered two paintings, previously reported stolen.”
Upham recently joined from the Met’s Homicide and Serious Crime Command. The art crime squad had been without a lead since Claire Hutcheon left in March 2016.
A Met police spokesman confirmed that the “Met’s Art and Antiques Unit has been reformed” and a third team member will join as soon as possible.
Specialising in tackling the theft and fraud of cultural items, art and antiques, the unit is responsible for the London Stolen Art Database - cataloguing the details of 54,000 stolen works.
The unit has been temporarily closed in the past, for instance following the July 2005 bombings. However, this year there were fears it would be permanently closed due to budgetary pressures on the Met.
Speaking during the summer, former Met Police art crime detective Dick Ellis raised concerns of a "vacuum (being) left in Europe's largest art market".
He said the effective investigation of crimes relating to the “burglary of art and antiques, international cultural property theft, fraud and money laundering” are all directly impacted by the lack of a dedicated police unit. He highlighted that in contrast to the UK, the US had trained 400 officers since 2007 and the FBI has 16 special agents on its art crime team.
Six months on from the fire that claimed 71 lives, the Grenfell inquiry began a two day hearing this week to examine issues such as witness statements and timetables. The hearing of evidence will begin next year.

Stolen van Ruisdael painting on display at Ulster Museum

A painting by Dutch master Jacob van Ruisdael, made famous by being stolen by notorious Dublin criminal Martin Cahill, has gone on display in Belfast.
The Cornfield was offered by the Alfred Beit Foundation in lieu of tax and allocated to the Ulster Museum.
It was stolen from Russborough House in County Wicklow three times between 1974 and 2002 but recovered each time.
Jacob van Ruisdael is considered by many to be a foremost Dutch landscape painter at that time.
The painting was acquired more than a century ago by Sir Otto Beit (1865-1930), joining a collection of old master works assembled by his relative, the diamond magnate Alfred Beit (1853-1906).
In 1930, the collection passed to Otto's son Sir Alfred Lane Beit (1903-1994) who relocated it some 20 years later to Russborough House, where the Cornfield hung in the saloon alongside other Dutch paintings.

The IRA heiress and the General

However, the paintings attracted much unwanted attention.
An Irish Republican Army gang, that included English heiress Dr Rose Dugdale, stole 19 paintings after tying up Sir Alfred and his wife in 1974.
All of the stolen paintings were recovered in County Cork a few weeks later.

Image copyright Press Eye/Darren Kidd
Image caption Despite its history, the Ulster Museum hopes the Cornfield will be safe within its walls
In 1986, a 13-member gang led by Martin Cahill, known in the tabloid media as 'The General', robbed the stately home again.
He took the van Ruisdael as part of a heist involving 18 paintings but the Cornfield was recovered days after the robbery.
And finally, the Cornfield was one of five paintings taken from Russborough in 2002 but recovered three months later.

'Absolute masterpiece'

Anne Stewart, a senior curator of art with the Ulster Museum, said it was excited and delighted to have a painting as important as the Cornfield in its collection.
She described it as an "absolute masterpiece".
"Jacob van Ruisdael was really the finest of all the Dutch landscape painters of the 17th century," she said.
"This is one of his most beautiful paintings.
"Jacob van Ruisdael was so adapt and clever at painting landscapes that he really went beyond the representation of what he saw... he gives it a deeper poetic meaning."

Image copyright ©Press Eye/Darren Kidd
Image caption Anne Stewart believe the Cornfield is an 'absolute masterpiece'
While she said it was a very valuable painting, Ms Stewart could not put a value on the piece.
She said every museum had concerns about the security of its collections, but that the Ulster Museum had gone to great lengths to make sure its collection was secure.
Despite the number of times it has been stolen, the painting is in a "miraculous" condition, she added, although a very close look reveals that the Cornfield does bear the scars of ill-treatment at the hands of thieves.


Who was Jacob van Ruisdael?

Jacob van Ruisdael (1628/9? - 1682) is commonly considered the foremost landscape painter of the so-called Dutch Golden Age.
He was born in Haarlem, in the north of the Netherlands, and was the son of a little known painter, Isaack Jacobsz van Ruisdael.
His work is considered to be source of inspiration for later generations of British landscape artists such as John Constable.
The subject of the cornfield featured in many of Ruisdael's works but was rarely treated as the central theme.

Kathryn Thomson, Chief Executive of National Museums NI, said: "The Ulster Museum holds a small but important collection of 17th Century Dutch paintings and the undisputed beauty of the Cornfield, an important work from the Beit collection, will significantly enhance this collection.
"I have no doubt that this beautiful painting will captivate visitors to the Ulster Museum."
The Cornfield is on display in the Life and Light Dutch and Italian Painting exhibition at the Ulster Museum.
The museum also holds a painting, River Landscape with Figures in Boats and a Church in the Distance from van Ruisdael's uncle and teacher, Salomon van Ruysdael.
Although they were uncle and nephew, they used slightly different spellings of their surname.

The Craziest Art Heists in American History

Art heists in movies and on tv can look very unrealistic. As it turns out, many seemingly impossible art heists are successful. In fact, valuable pieces of art are still missing from heists decades old. Learn more about some of the most famous and memorable art heists in the United States, ahead.

Davidoff-Morini Stradivarius, 1995

Stradivarius Violin
The violin in question has not been found. | Don Emmert/AFP/Getty Images
A $3 million violin vanished from its owner’s New York City apartment in 1995. The very valuable violin made by Antonio Stradivari in 1727 sat in the china cabinet of concert violinist, Erica Morini, the Daily Beast says. “The violin is among only a few hundred instruments that Stradivari made,” according to USA Today. Morini passed away two weeks after the theft of her precious violin. The person or persons responsible for the theft have never been found and the violin has yet to be recovered.

Maxfield Parrish’s mural, 2002

Gertrude Vanderbilt Maxfield Parrish murals-theft
The two murals were cut from their frames. | FBI
Two panels from Maxfield Parrish’s mural commissioned for Gertrude Vanderbilt Whitney’s 5th Avenue mansion in New York vanished from a California museum in 2002, according to the FBI. Thieves took the oil paintings from a West Hollywood art gallery. They cut the paintings, valued at $4 million, from their frames. The paintings remain on the Art Crime Team’s Most Wanted list.

Renoir painting, 2011

Madeleine Leaning on Her Elbow with Flowers in Her Hair by Renoir
The stolen painting is valued at $1 million. | FBI
Upon entering a Houston home, a masked robber took Madeleine Leaning on Her Elbow with Flowers in Her Hair by Renoir. The armed robber, supposedly in his early to mid 20s, got away with the painting after the homeowner heard a noise and saw the intruder. The painting is said to be worth $1 million, according to the Bureau. This theft remains on the FBI’s Top 10 Art Crimes.

Multiple pieces of artwork, 1990

Isabella Stewart Gardner Museum art heist
The museum is still offering a reward for the missing paintings. | FBI
Two men dressed as police officers tied up security officers on duty at the Isabella Stewart Gardner Museum and proceeded to have free reign of the museum, TIME says. Taking 13 pieces of artwork, this heist in Boston is one of the largest in American history. What makes this story even more interesting is that the case remains unsolved. The statute of limitations has run out and none of the artwork is back at the museum, the FBI told CNN.  As of May 2017, the museum is offering a $10 million reward for help solving the mystery.

18 paintings by various artists, 1988

Skylight
The thieves used a skylight to enter the gallery. | FastGlassPhotos/iStock/Getty Images
18 paintings housed at the Manhattan branch of Colnaghi’s went missing in 1988. The heist “involved a break-in through a skylight and a maneuver with a rope that could have sent the robbers plunging down the stairwell,” Forbes says. At the time, the art valued between $6 and $10 million, making it the biggest heist in New York. Only 14 of the 18 stolen works have been recovered.

Salvador Dalí sketch, 2004

Salvador Dali with drawings
The drawing was stolen by a guard. | -/AFP/GettyImages
During his yearly stay at the St. Regis hotel in New York during the winter months of 1965, Dalí planned to visit inmate artists at Rikers Island, according to the Daily Beast. Dalí, feeling sick, canceled the visit. Feeling guilty about not visiting the prison, he drew a sketch to hang in the cafeteria. Nearly 40 years later, prison guards set off the prison’s fire alarm to distract the night guards, giving them enough time to replace the real sketch with a replica. The poorly drawn replica didn’t fool anyone for long. The guards were caught immediately following the heist, according to Ranker.

Fake artwork, 1987

New York skyline warehouses buildings reflected in the water
They ended up getting caught in their scheme. | fietstouring/iStock/Getty Images
“Antiques dealer, Nedjatollah Sakhai, hired a gang to rob a Queens warehouse filled with forged goods,” according to How Stuff Works. The art dealer and owner of the warehouse, Houshang Mahboubian, planned to file a claim and collect millions in insurance money. After receiving a tip, the police staked out the warehouse and waited for the supposed burglars to make their move. While Sakhai and Mahboubian maintain their innocence, 13 others pleaded guilty.

Planned exhibit about art dealer Max Stern reinstated by German mayor

A planned exhibit about world-renowned Jewish Montreal art dealer Max Stern has been reinstated by the mayor of Dusseldorf, Germany, after he canceled it last month.
Due to open in February after more than three years of planning by Dusseldorf’s Stadtmuseum, the exhibit – titled “Max Stern: from Dusseldorf to Montreal” – also was slated to include a stop in Israel before finishing in Montreal.
At the time of the November cancellation, German city officials cited “current demands for information and restitution in Germany” as the reason for the exhibit’s abrupt cancellation.
The exhibit will now go ahead in a “more complete and revised form” at a later date, the city said in a statement. It will now take place in the Stadtmuseum with an additional, yet-to-be-appointed curator and a “scholarly advisory board,” the city statement said. Mayor Thomas Geisel told the New York Times that the target date for the revised exhibition is October 2018. The city also is planning an international symposium about Stern to “offer a forum for research on the subject and to discuss possible forms of communicating and documenting it.”
A native of Dusseldorf, Stern took over his late father’s art gallery there in 1934 until the Nazis made it illegal for Jews to sell art. During this period, the Nazis looted hundreds of valuable artworks from his gallery.
Stern soon left Germany and settled in Montreal, where he established the renowned Dominion Gallery.
Following his death in 1987, Concordia became the base for the Max Stern Art Restitution Project, which uses funds left by his estate to Montreal’s Concordia and McGill universities and the Hebrew University in Jerusalem to seek out and recover gallery artworks stolen by the Nazis.
To date, 16 have been recovered and returned to their rightful owners, with hundreds still unaccounted for.
The list of Stern gallery artworks includes some works in the collection of the Stadtmuseum and the city of Düsseldorf.

World's first 'billion-dollar painting' almost lost to underworld after daring heist


A Leonardo da Vinci masterpiece which was valued just over $100m ten years ago is now being touted as the first painting in the world that could fetch $1bn at auction.
The staggering 10-figure price tag is viewed in art circles as entirely possible, following last month's sale of Leonardo's Salvator Mundi for a world record $591m.
Of the 20 Leonardo Da Vinci paintings thought to be in existence, all except two are held by the world's most famous and powerful art museums.
One of those works, Madonna of the Yarnwinder, painted by Leonardo in the early 16th century, is privately owned by one of Britain's wealthiest aristocrats - Richard Scott, the 10th Duke of Buccleuch.
The art world is now wondering if the duke, who is Scotland's largest landowner, will be tempted to put his prized treasure on the auction block.

The Madonna of the Yarnwinder, Leonardo da Vinci, 1520 - 1530. (Getty)

The Madonna of the Yarnwinder, a small 48cm x 37cm canvas featuring a seated Virgin Mary holding the infant Jesus, has been a possession in the duke's family for around 250 years.
However, in 2003 the painting went missing for four years, after two men armed with a knife and axe stole it from the duke's Drumlanrig castle, near Dumfries. Drumlanrig Castle was used as a set in the popular British-American television drama series, Outlander.
The two men had posed as tourists wanting to see the duke's collection of paintings, which is thought to be the UK's most valuable private holding.
Alison Russell, an 18-year-old tour guide, described how the art thieves had been waiting outside the castle for the doors to open, one morning in August 2003.
The pair ignored all the other paintings and galleries inside the castle, and instead rushed Ms Russell towards the room where the duke's prized centrepiece was hung.
Once there, one of the men grabbed her and held a knife to her throat. The other stood guard by the painting with an axe, warning Ms Russell's co-workers to stay away.

A view of Drumlanrig Castle, where a Leonardo de Vinci painting was stolen in 2003, on October 5, 2007 in Dumfries, Scotland. The castle is also a set on TV show, Outlander. (Getty)

They removed the Leonardo painting from the wall, and escaped out a window.
The biggest art theft in British history remained an unsolved mystery until 2007 when a man named Marshall Ronald contacted the duke, saying he knew where the Leonardo was and could arrange its return for a fee of almost $10m.
That led to two undercover police, who posed as an art expert and the duke's representative, meeting with Ronald, an English lawyer.
It was agreed the Leonardo would be taken to a law firm in Glasgow, where a second meeting was raided by police and the painting returned to the Duke of Buccleuch.
The Madonna of the Yarnwinder is currently on loan to the National Gallery of Scotland in Edinburgh.

There are thought to be only two Leonardo da Vinci paintings held in private collections. The Madonna of the Yarnwinder, pictured here on loan to National Gallery of Scotland, is one of them. (Getty)

Jaynie Anderson, a professor of fine arts at the University of Melbourne, said Leonardo's Madonna of the Yarnwinder was a "much more beautiful painting" than the Salvator Mundi.
The Salvator Mundi, showing Christ dressed in Renaissance-style robes holding a crystal sphere, was significantly damaged, and it had required extensive restoration work at a New York City studio.
"I'm amazed at the price the Salvator Mundi went for," Prof Anderson said.
"The face is very damaged. And I think the fact that the face of Christ is damaged sort of inhibits you really liking the picture."
Some art critics had also doubted the authenticity of Salvator Mundi in the lead up to last month's Christie's auction. In contrast, Prof Anderson said the provenance of Leonardo's Madonna of the Yarnwinder was "impeccable".
"It is an important composition and a very interesting proposition for auction," Prof Anderson said.
"If it went up for sale I think it could go for much more than the Salvator Mundi. It is a much more beautiful painting, a far more sexy painting."

A visitor takes a photo of the painting 'Salvator Mundi' by Leonardo da Vinci at Christie's New York Auction House. (Getty)

An auction would inevitably attract big money bidders from Chinese billionaires, Russian oligrachs and Middle East royals. However, such is the rarity and allure of the Madonna of the Yarnwinder, Prof Anderson believed American billionaires and museums could also be prompted into action.
"There is competition between elite museums to make the best acquisitions," Prof Anderson said.
"The fact it is now on loan to the National Gallery of Scotland might mean that the Duke of Buccleuch intends to gift it to them when he dies. But that is an awful lot of money, so he is probably thinking about it. And if he isn't, the big auction houses like Christie's most certainly will be."
As well as the scarcity of Leonardo's works, Prof Anderson said the Italian artist, who was born in 1452, had never gone out of fashion – unlike other famous painters.
"Leonardo is very sympathetic. Everybody is fascinated with him as a personality," Prof Anderson said.

Joe Hay, security guard at the National Gallery of Scotland, stands beside the Leonardo da Vinci painting 'Madonna Of The Yarnwinder' on March 1, 2010 in Edinburgh, Scotland. (Getty)

Prof Anderson, an expert in Italian Renaissance art, described Leonardo as a melancholic, neurotic and beautiful man, and likened his appeal to Shakespeare's Hamlet.
"When he walked down the street his contemporaries said you couldn't stop staring at him."
Leonardo was not a prolific painter, but he was constantly drawing and writing, she added.
"Contemporaries describe him working on The Last Supper, and how he spent ages just staring at it and not doing anything."
It was confirmed last week that Salvator Mundi will hang at The Louvre in Abu Dhabi.
There is a second version of the Madonna of the Yarnwinder, which is likely the only other Leonardo da Vinci painting in private hands.
The identity of the owner is unknown, but it is believed to be an American collector.