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http://www.bbc.co.uk/programmes/p03tpjr3
Perhaps
Mr Henty needs to work on his public speaking voice, hire a voice coach
to lower the octave a notch, currently rather squeaky like a teenager
lol
Margaret Thatcher had the same problem in her early days, she lowered her voice and became Prime Minister.
Notorious art forger coining it in as debut exhibition opens
WHEN the notorious art forger David Henty hosts the
opening night party of his debut exhibition at a Brighton gallery later
this month there will be an unlikely guest in attendance
David Henty will open his debut exhibition in Brighton later this monthAs
the city’s former chief superintendent, Graham Bartlett was the man who
arrested Henty for a £1million passport scam 25 years ago but over the
past few months the detective and the villain have struck up an
improbable friendship.
Both have co-operated with the bestselling
author Peter James on his new book Death Comes Knocking, a history of
Brighton crime to be published in July.
The chapter dealing with
Henty revolves around his plan to produce thousands of fake passports to
be sold to Hong Kong citizens desperate to find a new homeland ahead of
the handover to communist China in 1997.
I had a house right in the centre of Brighton and I looked
out my window one afternoon and I saw all these policemen running up the
road
David Henty
The scam might have worked if the
term “Her Britannic Majesty” on the inside cover had not been mis-spelt
as “Her Britanic Magesty”.
As it was, the police were soon on his
case. “I had a house right in the centre of Brighton and I looked out my
window one afternoon and I saw all these policemen running up the
road,” recalls Henty.
“I thought, Oh God. Anyway I ran out the
back but there was no way out of the house and I think there were about
40 policemen. They stopped the traffic and everything and I was on News
At Ten. It was a really big thing.“They
only found a few passports. They knew there were 3,000 but they didn’t
know where they were. My dad burnt them when I was on remand. He found
them and made a big bonfire out of them – much to my chagrin because I
thought I could sell them!” Henty was sent down for five years and in
many ways it was the best thing that could have happened to him.
“I went to the art class,” he says.
“I’ve
always been good at drawing and the first time I picked up a brush I
did a Walter Sickert painting I’d seen in a newspaper. By my tenth
painting I was doing Rosettis, Renoirs, everyone.
“My art teacher said you’re not supposed to do it like that. But I said it works for me and I’ve been doing it to this day.”
It
would be uplifting to report that Henty went straight as a jobbing
artist on his release but, when he found that the world wasn’t ready for
the Henty school of portraiture, he resorted to forgery.
The man who arrested the copycat for a passport scam will attend the openingFor
years he sold paintings on eBay taking care not to claim that they were
definitely originals by using the legal construct “after” followed by
the name of the artist. His marketing of a signed oil painting in the
style of the artist Duncan Grant in early 2015 was typical of his
disingenuous approach.
Offered for £1,260 under the heading
“Duncan Grant Ballet Dancers 1934”, its description read: “Beautiful
spontaneous painting of the ballet, I bought this from a collector of
the Bloomsbury artists, there are no gallery receipts with the painting,
I think it has been in private hands for years, I am very reluctantly
offering the painting as after Duncan Grant”. Sometimes Henty came close
to giving himself away. As he was packing one possible original, he
spotted just in time a giveaway sign.
“I noticed a globule of paint in the corner was still soft,” he said.
“I
had to bake it quickly. I used a hair dryer on it for half an hour.
Henty’s paintings sold so well that he became one of eBay’s select band
of “power sellers” but it was too good to last. When a newspaper rumbled
him in 2014, he initially denied painting the pictures before coming
clean and offering the journalist a tour of his fakes factory.
An
underground storage room was a trove of ageing canvases, which he would
paint over, and frames bought in junk shops to give his pictures added
authenticity. Henty was handed a lifetime ban by eBay and, while he was
able to get round this by various bits of IT sleight of hand, a year ago
he decided to go respectable.
He now describes himself as one of Britain’s best “copyist artists”.
The artist has copied many of the greats including Van GoghThe
website blurb continues: “He researches each artist thoroughly and
spends days and sometimes weeks studying his subject to make sure each
brushstroke is correct, each canvas is perfectly honed to how the
original would have been and visiting as many works by the particular
artist as he can.
“His eye for detail is unsurpassed as is his
commitment for making sure the finished article is as close to the
original as can be. Each masterpiece comes in its own bespoke, handmade
frame and is signed on the reverse by David.”
Henty has spent the
past eight months producing 40 canvases for his forthcoming exhibition
from the £500,000 home overlooking the Channel in the Brighton suburb of
Saltdean that he shares with his long-term girlfriend Natania.
“I’m up really early in the morning and painting,” he says.
“I love it. When it’s warm I paint on the balcony. When it’s raining I paint behind the big bay window overlooking the sea.
Henty went to great effort to ensure his copies appeared legitimate“My
attention span is not that great so I do two to three-hour spurts and
then I go for a wander, walk the dogs [father and son Jack Russells
Rocky and Rambo], maybe have some breakfast. We’ve all got different
ways of working.”
One of his most ambitious works for the
exhibition was a copy of Picasso’s Women Of Algiers, a Cubist
masterpiece that was sold at auction in New York a year ago for
£124million. But following an appearance on Radio 4’s Today programme
yesterday, an eager buyer snapped up Henty’s version for £5,500.
Another
work missing from his show will be a copy of Picasso’s The Weeping
Woman – that too has already gone for £4,900. “The original’s in the
Tate,” says Henty.
“You could never buy it now. It’s priceless.”
He reckons he will make £70- £80,000 from his exhibition but is quick to
point out that the cost of canvases, paint and frames will take up a
significant chunk of this.
Meanwhile, new work is already flooding
in. Another customer has commissioned a copy of LS Lowry’s The Match.
But Henty won’t be able to make a start on that until the weekend
because he is doing some filming for a new TV show.
The concept
appears to revolve around one of Henty’s fakes being hung among genuine
masterpieces in a gallery. Contestants are then asked to spot the
forgery. “I’m not allowed to mention it,” he says guiltily.
“I’ve been told off for mentioning it. It’s being kept under wraps until the big launch.”
Sounds
like this isn’t the last we’ll hear of the charming ducker and diver
from Brighton, who drives around town in a convertible with the number
plate V9OGH, a homage to his skills as a counterfeiter of the works of
Van Gogh.Mr Henty's BBC Radio Four interview:
Art forger goes straight selling £5,000 fakes
These masterpieces
should be worth in the region of a half a billion pounds. Except they
are fakes produced by David Henty, a convicted forger who produced them
in the living room of his house by the seaside Brighton. Mr Henty was exposed by The Telegraph a little over a year ago for selling his copies on eBay, duping hundreds, if not thousands, of the internet auction site’s customers in the process.
But proving there’s no such thing as bad publicity, Mr Henty has turned the notoriety to his advantage.
"Since you did those stories, I have had quite a few commissions. I can’t thank The Telegraph enough.”David Henty, master forger on going straight
The Telegraph
investigation, which prompted interest from newspapers and television
stations around the world, has led to Mr Henty going straight.
At the end of the month, an art gallery will stage an
exhibition of his copies of masterpieces by the likes of van Gogh,
Picasso and Modigliani.
With paintings priced at up to £5,000 a time, Mr Henty is expecting to do decent business.
David HentyCredit:
Andrew Hasson for The Telegraph
“Since you did those stories, I have had quite a few commissions,” Mr
Henty said. “People read about me in The Telegraph and elsewhere and
sent me letters requesting I do copies for them of masterpieces.
“As a result, I decided to go straight and business is brilliant. I can’t thank The Telegraph enough.”
At the age of 58, and after a career in crime, the admission from Mr Henty is a bold one.
He was jailed for five years in the mid 1990s for forging thousands
of fake British passports which he planned to sell to anxious Hong Kong
citizens ahead of the handover to China.
The scam would have earned him a £1 million and might have worked,
not least if he hadn’t mis-spelt the words 'Britanic’ and 'Magesty’. He
went to jail a second time in Spain for selling stolen cars.
David HentyCredit:
Andrew Hasson for The Telegraph
His eBay scam involved copying works by slightly less famous - and usually dead - artists, luring buyers in with
claims that the paintings had been found in attics and in house
clearance sales and that the authenticity could not be guaranteed.
In fact, Mr Henty knew the artwork couldn’t be genuine because he was
churning the paintings out in his living room, as he later confessed
when confronted by The Telegraph.
It was hard for him to conceal he was the artist behind the fakes,
not least because he drives around in a car with the personalised number
plate “V9OGH” in self-recognition of his skills as a counterfeiter of
van Gogh’s work.
“I think eBay has had its day for fake art,” he said, “For the last
few months I have been concentrating on these masterpiece copies. I have
done a lot of research. I have been to the galleries and studied them
in the flesh. The paintings are all the exact size of the originals.
David HentyCredit:
Andrew Hasson for The Telegraph
“I have got 30 or 40 paintings for the exhibition. I have just done a
6ft Francis bacon that I am really pleased with. I have tried to get
them as accurate as possible.”
The exhibition at the No Walls Gallery in Brighton will be his first
as a legitimate copier. The opening night will be attended by Peter
James, the best-selling author of crime fiction who has just completed a
book about real life criminals in Brighton written in conjunction with
Graham Bartlett, the city’s former chief superintendent, who arrested Mr
Henty for the passport scam.
David HentyCredit:
Andrew Hasson for The Telegraph
The pair - detective and villain -
have struck up an unlikely friendship in recent months. Mr Henty’s
passport scam is a chapter in the book, entitled 'Death Comes Knocking’
and which is published in the summer.
The endorsement of Mr Henty’s art by Mr James, who has sold 17
million books worldwide, will further boost his chances of artistic
success.
A satellite television channel is also planning to make a programme
around Mr Henty in which one of his fakes will hang with genuine
masterpieces in a gallery.
Contestants have to spot the forgery. Whether they succeed or not will be testament to Mr Henty’s skills as a master forger.
Copycat artist is definitely a master of his trade...
David Henty at work on his version of Monet's Haystacks.
AN ART catalogue lies on David Henty’s kitchen table splayed open on a
portrait by the celebrated late Italian painter Amadeo Modigliano.
Mr Henty has been studying the painting – the distinctive elongated
face, the black, pupil-less eyes – and working out how the paint is laid
on, which colours to use.
Once he has done all that, he will head for his balcony overlooking the Channel, and paint a replica.
He might even add the artist’s inky black signature in the corner.
His final step is to stick it for sale online. Quite possibly before
the light fades over his Saltdean view, he will have made several
hundreds, if not thousands, of pounds.
“It’s a great life,” says the self-described forger, who has been
making a living for at least the past five years selling his knock-offs
of works by Monet, Vettriano, L S Lowry and other masters via the
internet.
“One day I knocked out three little Lowrys by eleven o’clock.”
This is not the living the 56-year-old would ever have imagined for
himself. Raised in Brighton, his first job was dealing antiques and cars
with his father. Then he was sent briefly to prison in the Eighties,
for forging passports, which is where he started learning to paint.
“I had two art teachers there who were really nice,” he recalled. “If I
saw a picture, I would just paint it straight on. They would say, ‘you
cannot do it like that, it is not the way to do it’.”
Outside of prison, he carried on. For his mother, he painted a copy of
the world-famous Proserpine, by Dante Gabriel Rossetti. He also did his
own work, often portraits, but sales never really took off.
“I did not know how to use the internet and there was not really a
great market,” said Mr Henty, who often spends his mornings kick-boxing
before returning home to his easel, oils and pet dogs.
“I did a few and I sold a few, I had an exhibition down on the Marina,
but there was not really any money. But then my sister’s husband asked
me to do a Monet. So I knocked him up a Monet, and I got more money for
it.
“And you sort of think, a light comes on and you think, ‘someone else
wants it’. Then I did a lot of Van Goghs. People were queuing up; I
could not paint them fast enough.”
He got more formal training with a local art teacher, and became very
good at what he does. He continued trading locally or giving copies to
friends. Then eBay, the online trading site, became a major force.
Mr Henty set up an account to sell his paintings, and orders from all
over the world starting pouring in. He has shipped paintings to
Australia and Japan. Rooms at home are crammed with canvasses to paint
or works ready to go out.
His first sale on eBay, he said, was a Lowry. “I sold it for £3,500,” he recalled.
“And I thought, ‘This is great, what a fantastic way of making a living’.
“I was getting fantastic feedback. I was an eBay power seller.”
The painter does not believe he is doing anything wrong.
He says he does not say the paintings are originals, nor do people
realistically think they are, even though he often adds the artist’s
‘signature’. eBay disagrees, however, and recently banned him from
selling, saying he was breaching their policies.
“I took advice from a solicitor when I started,” Mr Henty says, “and
he said, ‘as long as you put you are selling it as ‘after’ or ‘in the
style of’ the artist you can sign it, you can do what you like, but it
is not criminal’.
“People are not going to buy a Lowry for a few hundred pounds and think it is worth £400,000. It is just mad.
“The problems come if you try to sell it as real. But if you try to sell it as a copy, that is fine.
“I have seen lots of my paintings in meetings [auctions] as real but
that is nothing to do with me. What they do [with them] after they get
out of my hands is up to them.”
His prolific output includes copies of work by Winston Churchill and Gillian Ayres.
He is currently learning about Edward Sega. He is happy to admit he
has “nothing to say” as an artist himself, but enjoys understanding
others’ work.
“I like the technical side of it ,” he said, “Seeing the painting,
then de-constructing it. That’s why I like forging because I like
working out how the artist has done it. You have to really look at it,
look at the colours, work the palette out, then look how they put the
paint on. Then what happens is you click into it, into that person’s
footsteps, basically.
“If I saw a new artist I would go and find his work somewhere, I would have to see his work before I can copy it.
“I also try and read everything about him I can, soak myself in
everything I can find out about the artist. It’s like being obsessed for
a little while.”
One master has so far escaped his paintbrush: Lucian Freud. “Most I
can get efficiently and can paint,” said Mr Henty, thumbing through a
catalogue of the artist’s works.
“But Lucian so far has evaded me. I have not quite mastered it yet,
his work. When he paints he is really slow and builds up bits and pieces
and it probably took him about a year or 18 months.
“One of his paintings went for £16 million. And here, the woman looks
like a man and I thought, if I painted that... It’s a funny picture and I
thought, ‘I could not get away with it’.”
Mr Henty, who has a copy of ‘Buy the $12 million Stuffed Shark: The
Curious Economics of Contemporary Art’, by Don Thompson, on the kitchen
table, does not lose sleep over artists missing out because he is
capitalising on their work.
“I don’t do many people who are alive, I try and wait until they have gone,” he said.
“Most ordinary people are not going to be able to put a quarter of a
million pound painting on their wall. But for a few hundred quid you can
own one that looks like it. I am just bringing art to the masses,
affordable art.”
If anything, the zany world of art prices bolsters his sense that it is all fair game.
“You can have a really crap painting that you would not want to give
to your family, but if they have got ‘that’ name it will go for
millions,” he said.
“I went to a couple of Charles Saatchi shows and I came out and thought they were absolutely crap.
“But he is such a powerful character that if he says, ‘I like that,’
then you have got about 20 dealers behind him saying, ‘I will buy
that’.”
Despite eBay’s ban, Mr Henty is still very much in business, selling elsewhere online, and with a big grin on his face.
“I just really like my life,” he said. “I get up in the morning,
paint. It’s down to practice – some people have got a lot of talent but
have not got perseverance.”
Art Hostage Comments:
David Henty has undoubted artistic talent, as does his sibling Steven Henty.
In fact, Steven Henty's talent extends far beyond the paintbrush, creating stain glass and woodwork, including restorations of period architecture. The paintings of Steven Henty evoke memories of youthful summer days spent on the beach in a simliar vain to those of Sir William Orpen, Robert Gemmell Hutchison and Dorothea Sharp.
After a generation on the wrong side of the tracks, the Henty clan can evolve into a family of artistic talent in the vain of the 19th century Earp family, to compliment the culturally rich tapestry of Brighton & Hove.
A true measure of the talent is to be able to reproduce photo realistic paintings such as those by Norman Rockwell.
A previous critic of David Henty, Art Hostage applauds his Road to Damascus moment and wishes him well in lawful endeavours.
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