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The Art Hostage team undertakes a wide range of services, including due diligence, collection conservation and management, risk assessment and security as well as legal issues, recovery and dispute resolution involving art and artifacts. Through partnerships with leading organizations, the Art Hostage team can provide a complete service for all aspects of collecting and protecting art.
Thursday, July 18, 2013
Stolen Art Watch, Kunsthal Paintings Destroyed, Van Buuren Next, No Reward, No Fee, Thieves Cornered, Art Destroyed !!
Exclusive - Romanian expert believes three artworks from Dutch heist destroyed
BUCHAREST (Reuters) - Romanian experts believe that three out of
seven paintings stolen last year from a Dutch museum, a haul that
included works by Picasso and Monet, have been destroyed by fire, the
team's head told Reuters on Monday.
Their findings appeared to back testimony by the mother of a Romanian
suspected of leading the robbery that she had burnt the paintings to
protect her son as police closed in.
"We gathered overwhelming evidence that three (of the seven)
paintings were destroyed by fire," said Gheorghe Niculescu, head of the
team from Romania's National Research Investigation Center in Physics
and Chemistry, which has been examining ashes found in the police
investigation.
However, he could not say which of the seven paintings had been
destroyed and did not explain how he was certain that the remains
originated from works stolen from Rotterdam's Kunsthal museum last
October, rather than other paintings.
Also among the stolen artworks, estimated to be worth tens of
millions of euros, are pieces by Matisse, Gauguin, Lucien Freud and
Meyer de Haan, a 19th century Dutch artist.
In one of the most dramatic art thefts for years, the thieves broke
into the Kunsthal building, somehow evading its sophisticated alarm
system. None of the seven works has been found.
Romanian police said this year that they had detained members of a
gang they suspected of carrying out the robbery. Soon after, Olga
Dogaru, the mother of the alleged ringleader, told prosecutors she had
burned the paintings to destroy evidence that could incriminate her son.
Prosecutors said they did not know if Dogaru's testimony was true or a
trick to throw investigators off the scent and could not reach any
conclusions until experts had completed tests on ashes recovered from an
oven at Dogaru's home.
Until Niculescu spoke to Reuters on Monday, none of the experts
involved in examining the ashes had given a firm view on whether any of
the paintings had been destroyed.
Niculescu said he was now sufficiently confident that three had been
destroyed that his department, a unit of the culture ministry, would be
submitting a detailed report to prosecutors this week.
NAILS IN THE ASHES
He said nails used to fasten the canvases to their wooden frames,
recovered from the ashes in Dogaru's house, had been a crucial piece of
evidence. "Their shape, the way in which they were manually manufactured
and the metals they were made of, lead us to our conclusions," he said.
"We used X-ray fluorescence, X-Ray diffraction techniques, electronic
and optical microscopy. I also got the best opinion of the national
arts museum expert and there's no doubt here."
"Also Prussian Blue, a paint pigment discovered around 1715 and used
on a large scale by painters from around 1750 ... which we found in very
small traces of canvas, supports the case," Niculescu told Reuters.
The works stolen were Picasso's "Tête d'Arlequin", Matisse's "La
Liseuse en Blanc et Jaune", Monet's "Waterloo Bridge, London" and
"Charing Cross Bridge, London", Gauguin's "Femme devant une fenêtre
ouverte", De Haan's "Autoportrait" and Freud's "Woman with Eyes Closed".
When they were stolen, specialists in recovering missing artworks
said there was a good chance of recovering them. They said such pieces
were so well known that it was almost impossible to sell them on the
open market.
But the conclusion by Romanian experts that at least some of them had
been burned dashed hopes that the stolen paintings could all be
recovered intact.
Dogaru declared she originally buried the paintings in a cemetery
near her home in the southeastern Romanian village of Caracliu. She told
prosecutors that when police began searching for the paintings in the
area, she dug them up and burned them in February in a stove in her
home.
Romania's DIICOT government prosecuting office, which is investigating the case, was not immediately available for comment.
Police were put on the trail of the suspects by combing through
security camera footage from the period leading up to the robbery,
looking for visitors whose behavior suggested they might be making
preparations for a robbery.
Security camera footage released at the time showed thieves entering
through a back door and disappearing from the camera's field of view.
Seconds later they reappeared carrying bulky objects and left the
building by the same entrance.
£172m worth of ashes? Fears that stolen art works could have been 'burned in stove'
Art heist at Ukkel's Van Buuren Museum
Dozens of valuable works of art have been stolen from the Van Buuren Museum in the Brussels borough of Ukkel.
The works include a masterpiece by James Ensor. Thieves
forced a door to gain entrance into the museum. Museum curator Isabelle
Anspach:"All the alarms went off, but the thieves were pretty fast.
Everything was over in two minutes".
The
Ensor is valued at more than 200,000 euros. A valuable work by the Dutch master
Kees van Dongen valued at 1.5 million euros is also gone. Other stolen works include a Brueghel the
Younger and an Adriaan Brouwer. In all the thieves got away with over 2 million euros' worth of art. The thieves left the most famous
works in the museum. Art connoisseurs say that the thieves clearly knew
what they were after and must have reconnoitered the building
beforehand. Janpiet Callens says that the stolen works can hardly be
traded on the open market: "Maybe the thieves were commissioned to
steal particular works or they could be after a ransom."
Norwegian art theft gang charged as mafia
The royal family visit an exhibition at the Asian Art Museum in Bergen.
Bergen prosecutors have brought mafia charges against six art
thieves, suspected of torching cars to distract the police during their
destructive heist at the Asian Art Museum where they stole a score of
invaluable historical artifacts.
The gang of six staged
their heist to make sure the police was distracted while they raided the
museum in January, the prosecution has claimed. Charges of aggravated
theft and aggravated vandalism have been brought against the gang.
"We argued that they together planned and performed the robbery, but
had different roles," prosecutor Rudolf Christoffersen told the NRK news
network. "Some set fire to cars to distract the police, while others
entered the museum."
Because the gang was more
numerous than three people, prosecutors have decided to charge them as
an organized criminal group under Norway's anti-mafia laws. The penal
code allows five years to be added to a criminal sentence if the
prosecutor can prove organized criminality, which means the strictest
sentence that could be handed down for the robbery would be eleven
years.
"The suspects who entered the museum have admitted
doing so, but no one has confessed to setting the cars alight, nor has
anyone confessed to being part of an organized group," Christoffersen
added. Two men are being remanded in custody for the theft, while the
remaining four have been set free awaiting trial, according to Hordaland
police district organized crime unit head Jørn Solsvik.
Norwegian authorities are yet to find the missing items, some 20 pieces
in porcelain, paper, jade and bronze, which are valued at at least 2.5
million kroner ($420,000) by the museum Vestlandske
kunstindustrimuseum. Several other items on display were also damaged in
the break in, when the thieves broke several glass show cabinets. They
used a car that had been stolen in Oslo to make their get-away.
The local Bergens Tidende newspaper
reported that the police had arrested the six suspects at different
times. The court date has not been set, but proceedings will be held in
Bergen District Court.
Art thieves have sentences cut because they lost their loot
The pair cut a hole in the wall of the Oriental Museum - but then lost the artefacts they stole
Art thieves who stole more than £1m of artefacts from a museum in
Durham have had their sentences cut from eight years to seven years
each - because they lost the items they had stolen.
Adrian Stanton and Lee Wildman hid their loot in a field, but then
forgot where it was, meaning the items were recovered by the museum
unharmed.
Judges at the Court of Appeal decided that the fact that the
artefacts were returned to the museum without being damaged was a
relevant factor in sentencing and decided the original tariff was
"excessive" - although it was only down to their "crass ineptitude" that
the items were not lost forever.
The pair had travelled up from Walsall to raid Durham University's
Oriental Museum in April last year by cutting a hole in the brick wall.
They took a porcelain figure and a jade bowl and hid them in nearby
wasteland.
Two days later, Wildman was seen searching for the artefacts by a member of the public.
Both men pleaded guilty to conspiracy to burgle and were jailed for eight years each at Durham Crown Court in July last year.
Adrian Stanton and Lee Wildman, from Walsall
Today, their lawyers argued before Mr Justice Williams, Lady Justice
Hallett and Mr Justice Jay that the sentences were too long, given that
the items were recovered unharmed.
Giving judgment, Mr Justice Williams said:
"We consider that the recovery of the stolen property was a relevant factor in production of sentence.
"Nevertheless, this was a carefully planned and professionally executed conspiracy.
"We have concluded that the appropriate sentence in this case,
allowing the limited discount for the guilty pleas, should be one of
seven years' imprisonment."
– Mr Justice Williams-Wildman had also had a one-year suspended sentence activated, meaning he will serve a total of eight years.
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