It was a little after 10PM when Frank Almond, the concertmaster of the Milwaukee Symphony Orchestra (MSO), walked out of Wisconsin Lutheran College into the sub-zero January night. He had just finished a chamber music performance at the small school, located in the quiet suburb of Wauwatosa, and he was headed home.
As Almond opened the passenger door of his car to put his violin inside, a 41-year-old ex-con named Salah Salahadyn allegedly walked up to Almond and tased him unconscious. Almond came to just in time to see his attacker speed away in a burgundy minivan driven by a woman in a black hat. Almond’s iPad was gone. As were two 19th-century bows, which were worth a combined $50,000. And so was the violin, a 1715 Stradivarius he had been playing since a wealthy benefactor loaned it to him in 2008.
It was worth $5 million.
“There is now exactly one documented case of a Strad-level violin specifically targeted for an armed robbery," Almond tells VICE News. "Lucky me.”
* * *
He actually was pretty lucky.
Salahadyn, who had previously spent five years in prison for swiping a $25,000 statue from a Milwaukee art gallery in the mid-1990s and then trying to sell it back to the gallery owner, once described stealing a Strad as his "dream theft." But when he allegedly stole Almond's, it wasn't exactly the perfect score. Somehow Salahadyn had failed to realize that each time a Taser is fired, it disperses tiny ID tags imprinted with bar-coded serial numbers — kind of like guilt confetti. A phone call from police to the manufacturer of the Taser identified a 36-year-old Milwaukee barber named Universal Knowledge Allah as the man who'd bought it.
Allah (born Shaudell Johnson) planned to tell cops that the Taser had been stolen if they started asking questions, but according to court documents, he managed to implicate himself and Salahadyn before that ever happened. Four days after the robbery, Allah gave a haircut to a customer identified only as “W.D.” W.D. then gave Allah a lift home. It was during this ride that Allah told W.D. all that had happened, right down to Salahadyn having “used the electric, not the heat.” By that point, the robbery was big news, and a $100,000 reward had been offered by the MSO.
The following day, W.D. went to police and told them everything he knew.
Allah was quickly arrested, followed almost immediately by Salahadyn, who had neglected to dispose of two key pieces of evidence: a binder filled with magazine articles about Strads, and a note he wrote to himself reading, “Taser.com $500-$1000.” Salahadyn then led investigators to an associate’s home where he had stashed the stolen violin. In the attic, hidden inside a suitcase, was Almond’s undamaged Stradivarius, along with Salahadyn’s own ID. The alleged getaway driver, LaToya Atlas — also Salahadyn’s on-again, off-again girlfriend and the mother of his child — was arrested and released without charges. Officials have thus far declined to explain why.
Famous Strads 'have been photographed from more angles than a porn star.'Dick Ellis, the detective who founded New Scotland Yard’s Art & Antiques Unit in 1989, describes the world of rare instrument theft as “a small subset of a niche area of criminality.” In other words, Strads are almost never stolen, despite the fact that so many of them — like Almond's — are absurdly easy targets. And there's one overarching reason why.
There are lots of dumb things you can steal. A Stradivarius may be the dumbest.
* * *
Of the approximately 1,000 violins, violas, and cellos Antonio Stradivari made in his lifetime, the most coveted come from what is called his “golden period,” which lasted from 1700 to 1725. Of these, two are considered the cream of the crop. One is the 1716 Messiah, which is in the Ashmolean Museum in Oxford, UK. The other is Almond’s 1715 Lipinski.
There are various theories about what makes the 450 or so surviving Stradivarius violins so sublime. Some experts have speculated it has to do with unique climate conditions experienced only during a brief time in the 17th century, which gave special acoustic properties to the wood used by Stradivari. Others believe it had something to do with the varnish, a secret formulation whose recipe disappeared when Stradivari died in 1737 at the age of 93. Still others think river fungi got into timber being floated down from the Italian Alps to Stradivari’s home base of Cremona, which somehow altered the wood’s cells in a magical way that has never been duplicated.
All of those theories may be total BS. Beyond dispute, however, is the fact that Stradivari’s creations are a testament to a singular brand of genius, an artisan who spent his life relentlessly trying to improve upon his past work.
But Strads don't cost millions of dollars simply because they sound good. They are pieces of art. The 1721 Lady Blunt Stradivarius is worth, ounce-for-ounce, 625 times the price of gold. Next month, Sotheby’s will open sealed bids for Stradivari’s 1719 Macdonald viola. There are far fewer Stradivarius violas still around than there are violins; if the Macdonald realizes the estimated sale price of more than $45 million, it will be the most expensive musical instrument ever to change hands.
It's no wonder Salahadyn got ideas.
“People read these articles about a Stradivarius worth millions of dollars and think, ‘Hey, if we just get 10 percent of its actual price, that’s still a lot of money,’” says former FBI agent Robert K. Wittman, founder of the Bureau’s Art Crime Team and author of Priceless. “The real art in an art heist isn’t the stealing, it’s the selling.” To that end, three things are absolutely vital if you’re going to get any value out of a Strad: authenticity, provenance, and proper documentation. This is where the deal tends to fall apart for a thief. A stolen Strad “might be real as rain,” Wittman says, but once it’s out of the rightful owner’s hands, it becomes relatively worthless.
"I call high-value stolen art ‘headache art’ because it disrupts the everyday handling of lesser stolen art, therefore causing everyone a fucking headache."Strads derive their value in part from the fact that their provenance is so well-documented. Every nick, bump, and scratch has been analyzed and pored over, as has the grain of the wood. Modern-day violin makers use Stradivariuses as models for their own instruments, which makes the makers intimately familiar with the violins, violas, and cellos. Famous Strads “have been photographed from more angles than a porn star,” says Laurie Niles, a concert violinist and the editor-in-chief of Violinist.com. Privately run organizations like the Art Loss Register and Art Recovery International have dedicated databases focused solely on tracking stringed instruments for dealers, auction houses, collectors and buyers, police, museums, insurance companies, and anyone else with an interest in their recovery.
“Morons — low-level idiots,” is how ex art thief “Turbo” Paul Hendry describes Salahadyn and Allah, who are both due back in court May 15 and face up to 15 years in prison. Hendry, who claims to have been Great Britain’s most prolific trafficker of stolen art before he went straight in 1993, says most crooked dealers will handle only lesser-known pieces, which can be blended back into the legitimate market at, or close to, full price. Since most thieves know not to steal internationally recognizable items, the overall recovery rate for art and antiquities is a paltry 5 percent to 10 percent.
“Give me 100 stolen pieces worth $10,000 over one worth $1 million any day,” Hendry says. “I call high-value, iconic, stolen art ‘headache art’ because it disrupts the everyday handling of lesser stolen art, therefore causing everyone a fucking headache.”
The chances of a legitimate buyer taking a stolen Stradivarius off a thief's hands are, effectively, zero. According to Niles, a multimillion-dollar Strad without the right papers “might fetch $500” in a pawn shop. That said, there are a handful of famous Strads that have disappeared and remain missing. So where are they?
“So far I've seen absolutely no evidence that a black market for high-end instruments even exists — in contrast to paintings,” Almond says. “I'm aware of exactly three great Strads that have disappeared since 1994 and have not resurfaced; that's not much of a market.”
He’s right. As one dealer explains, the rarer the item, the smaller the world becomes. This is one reason why Ellis believes many stolen instruments — like the Le Maurien, Colossus, and Davidoff-Morini Strads Almond mentions — could very well have been fenced for, essentially, nothing. Today they may be hiding in plain sight.
Says Ellis: “I suspect they have been sold on to students and [other people] who have no idea what they bought on the cheap."
* * *
There are only two police officers in the United States who serve as full time “art cops.” One of them is Detective Don Hrycyk of the Los Angeles Police Department.
Back in the late 1980s, when Los Angeles was seeing roughly 1,000 murders a year, Hrycyk was working homicide in South Central’s violent 77th Street Division. When the relentless bloodshed got to be too much, he put in for a transfer to the commercial burglary unit. Hrycyk’s caseload initially included a handful of art crimes, and in 1993 that became his sole focus. Today, the 40-year veteran is in charge of the LAPD’s Art Theft Detail, which currently consists of one person: Don Hrycyk.
Over the past 20 years, he has orchestrated the return of seven of eight rare violins stolen in LA. (A Luigi Mozzani 1917 model known simply as “#108” remains missing.) In his experience, there is no common MO among art thieves; Hrycyk has seen rare instruments get swept up as part of a larger haul in ordinary burglaries, snatched out of spite during domestic disputes, and stolen by everyone from highly organized crews to domestic laborers. Although he says he’s encountered the odd targeted theft, the kind of advance work Salahadyn did before allegedly stealing Almond's Strad is rare.
Twice on Hrycyk’s watch, high-end stringed instruments have walked away when distracted musicians left them unattended. In 2004, the $3.5 million General Kyd Stradivarius, a cello on loan from the LA Philharmonic to cellist Peter Stumpf, disappeared when he absentmindedly left it overnight on the front porch of his Los Feliz home. The following year, a 1742 Sanctus Seraphin violin, on loan from Southern California philanthropist Peter Mandell to music student Lindsay Deutsch, was snatched from the back seat of her car while she shopped at a West Hills supermarket. Both were quickly returned in exchange for rewards: $50,000 put up by an anonymous donor in the case of the General Kyd, and $10,000 put up by Deutsch’s parents for the safe return of the $350,000 Sanctus Seraphin — and the $160,000 bow that was stolen with it.
Both were crimes of opportunity, and Hrycyk didn’t have much doubt the cello and the violin would turn up eventually. What still disturbs him is that the crimes seem to have paid off; the thieves were never caught.
“Our feeling was that the people who ‘found’ these things were probably sent in as mules for the thief to get the reward,” Hrycyk says.
That tactic is becoming less and less feasible. In fact, according to Hendry, stealing a Strad in hopes of collecting a reward — or ransom, as he calls it — is almost as foolish a plan as Salahadyn’s was in Milwaukee.
“Rewards are a load of bullshit,” Hendry says. “It used to be common for stolen art to be recovered quietly and payments made, but recent money-laundering laws in Europe and the US have made those deals harder to make. Law enforcement will not allow the private sector to recover stolen art without arrests anymore; anyone acting as a conduit knows to get a legal agreement in place before helping recovery. I have done this many times and when no agreement is forthcoming, I walk away.”
“I never met a drug dealer who would be willing to trade good heroin or coke for a Stradivarius he can’t do anything with.”Of course, rules are sometimes broken. In 2010, solo violinist Min-Jin Kym’s 1696 Strad, worth about $2 million, was stolen while she chatted with a friend at a Pret-a-Manger in London’s Euston Station. A closed-circuit camera later identified the culprits as John Maughan, a 30-year-old Irish Traveler with 46 known aliases and 123 criminal convictions to his credit, and two teenage accomplices who were too young to be named publicly. After pleading guilty, the boys were sentenced to undisclosed terms; Maugham was sentenced to 4 1/2 years in prison, which was reduced on appeal to 3 1/2. But the violin remained missing.
After a £30,000 reward offered by the violin’s insurer failed to turn up anything conclusive, Kym was paid by her insurance company for the loss. For three years, cops chased leads all over Europe, but Maughan clammed up and the trail seemed to have gone cold. Then, last June, British Transport Police (BTP) announced that investigators had miraculously found the Strad. The BTP said nothing else, other that the violin had been located at “a house in the Midlands.”
Further details were never revealed. So we asked Hendry to tell us what he knows.
The violin that became known as the “ex-Kym” Strad was auctioned for $2.3 million last December, and the public was told that a portion of the proceeds were donated to the authorities who had recovered it. But Hendry says the sale proceeds “donated” to police actually went to Maughan’s associates.
“The truth is, it was handed back by fellow gypsies who had taken possession of the Strad from Maughan, the original thief,” Hendry tells VICE News. “This was an illegal act under UK law, but done because there was simply no other way of recovering the Strad. It’s a grey area that happens when the desire to recover the stolen artwork overrides the ability to make arrests.”
Authorities’ desire to recover the Strad was motivated in part by the fact that it was being used as collateral for drug deals, Hendry says. But that's an extremely unusual circumstance.
“I never met a drug dealer who would be willing to trade good heroin or coke," Wittman says, "for a Stradivarius he can’t do anything with.”
* * *
Musicians say each Strad has a distinct personality. Most have names, and Hrycyk believes this adds to the huge sense of loss when one gets stolen.
Almond was no exception. The day after the robbery, he addressed the media at a news conference. “It is difficult to fully articulate, but the main thing about instruments in this echelon is that your interaction with them on so many levels becomes something very similar to a primary human relationship, with all its twists and turns," he said. "For many years I have been incredibly fortunate to be passing through its life, not the other way around.”
And it’s not just the musicians who feel an acute loss. After the theft, a local Milwaukee music critic named Rick Walters wrote, “Hearing its rich tones has been a defining aspect of classical music in Milwaukee. As the violin’s audience, we are also violated by this robbery. My reaction is some combination of outrage and grief.”
According to British cultural critic Norman Lebrecht, a violinist in 1960 could expect to pay about $1,600 for “a fine 19th-century instrument,” or roughly double his annual salary. Today, Lebrecht says, the ratio is 10 or 12 times average orchestral earnings.
More than $100,000 in Bitcoin was stolen in a ridiculously low-tech heist. Read more here.
In recent years, Stradivarius investment funds have started to appear, pushing already astronomical prices even higher. Not entirely unlike oil prices that started to rise when speculators got involved, the market for rare violins became even more distorted once Strads became an asset class. The instruments remain coveted not only because they are a finite commodity almost guaranteed to appreciate, but also because loaning one to an elite musician bestows upon the owner — whether a corporation, foundation, or private individual — a level of status that a barrel of oil never could. Plus, regular use is part of a Strad’s maintenance; many believe the sound becomes more exquisite each time the instrument is played.
That's why it’s important to remember that violins are instruments, says Dorit Straus, an insurance advisor for Art Recovery International and herself a professional-level violinist. That is, they are tools, not museum pieces. Yes, a Strad is a work of art and a cultural artifact — but it is meant to be played. High-value paintings or sculptures, which are rarely if ever transported, are often accompanied by specialists and guards when they are.
Two weeks after the robbery, Frank Almond played the Lipinski Stradivarius at a sold-out recital.
Avoiding trial: Plea hearing scheduled for “mastermind” in Stradivarius theftMILWAUKEE (WITI) — One day after it was announced Universal Allah has reached a plea deal for his role in the theft of the valuable Stradivarius violin — we’ve now learned the second man charged in the case — Salah Salahadyn has reached a plea deal as well.
Salahadyn faces one count of robbery in the case. Prosecutors say Salahadyn was the mastermind behind the theft.
He appeared in court for a scheduling conference on Thursday, May 15th — and a plea hearing was scheduled for June 30th.
Salahadyn previously pleaded not guilty in the case.
Allah was in court on Wednesday, May 14th.
Allah faces one count of robbery, and one count of possession with intent to deliver THC (less than 200 grams).
Allah’s attorney requested a plea hearing — and it is expected Allah will plead guilty.
Prosecutors say Allah was the one who purchased and provided the stun gun that was used to attack and rob Milwaukee Symphony Orchestra violinist Frank Almond.
The plea hearing will take place on May 28th — and a sentencing hearing is set for July 24th for Allah.
The violin was stolen on January 27th.
Milwaukee Symphony Orchestra concertmaster Frank Almond had just finished up a concert at the Wisconsin Lutheran College on Bluemound Road. Almond was exiting the performance hall, and he approached his vehicle and opened the rear door on his car to put the violin inside.
That’s when a man walked up to him, “produced a flashlight-style Taser-type weapon, and fired that Taser at Mr. Almond.”
Almond told police the “ejected probes of the Taser struck him in the wrist and chest.
Almond said he fell to the ground, and was momentarily incapacitated.
Upon gaining control of himself, Almond said the Stradivarius Lipinski 1715 violin was missing.
The Milwaukee Police Department eventually recovered the stolen 1715 Lipinski Stradivarius violin from a home in the city’s Bay View neighborhood.
French Art Heist Mastermind Says Ex-FBI Agent Robert Wittman Framed Him
Word has it Bernard Ternus was found guilty and sentenced to nine years in jail.
Thieves ransack Daylesford church stealing $100K of historic items
The items taken include a 17th century mirror and wooden screen-print, a gem-encrusted brass and silver cross and a 140-year-old lectern.
Detective Sergeant Tony Coxall says it is unclear whether the property was secure at the time of the theft.
"Yes there are indications that there could have been a vehicle involved," he said.
"Unfortunately we don't have a description of the vehicle but we believe either a van or a wagon of some sort must have been involved with the number of items.
"We're still getting a full list of the items stolen but we believe it must be well in excess of $100,000 at the moment."
Detective Sergeant Coxall says it is believed multiple offenders were involved due to the weight of some of the items.
Father Jeff O'Hare says most of the furniture has also been taken and the community will be bringing their own seats for this weekend's services.
He says the parish is devastated by the loss of such rare items.
"They've all been given, and the cross, for instance, from the high altar, has stood in place since the 1860s," he said.
"So it's historic value as well as for some people extremely sentimental value."
Burglars steal antiques in raid in Twyford near WinchesterANTIQUE furniture and jewellery were stolen from a house in Twyford near Winchester.
Entry was forced and raiders stole items including an eight foot grandfather clock and 6ft by 4ft cabinet along with Chinese-style pottery and antique jewellery.
The burglary in hazeley Road was between 8.30pm on Thursday, May 8 and 10.30am on Friday, May 9.
PC Jasmin Connolly from Winchester police station said: “This burglary has been devastating for the family as many precious family belongings have been stolen including very large pieces of furniture.
“The offenders must have used a van to remove the items and there are likely to have been at least two offenders.
Painting returned to Dublin gallery 20 years after theft
In The Omnibus by the French artist Honore Daumier has been returned to the Hugh Lane gallery in Dublin after being found by proceeds of crime officers late last year.
The drawing in watercolour and gouache was stolen on a Saturday afternoon in June 1992 when the gallery was open to the public and a thief ripped it from a wall.
It was valued at the time in the hundreds of thousands but gallery chiefs refused to be drawn on its value today.
Dr Barbara Dawson, appointed director of the Hugh Lane a year before the theft, suggested the remarkable discovery may have been thanks to the keen eye of detectives running a wider investigation.
“It was shocking for me at the time. It was literally pulled off the wall,” she said.
“It was a very particular theft, and interesting that it was that painting that someone went for. We weren’t sure if it was a ’magpie’ that liked to have things to look at themselves or was it stolen to order.
“We haven’t been told. Maybe it was someone who was covetous and liked to have things for their own enjoyment.”
It is understood that the stolen painting was discovered when Criminal Assets Bureau (CAB) detectives began investigating other proceeds of crime and the unusual work was uncovered.
In The Omnibus was part of the original collection presented by Hugh Lane to the city of Dublin for the Gallery of Modern Art which first opened to the public in 1908.
Daumier was a satirist, caricaturist and renowned for his social commentary on life in France in the 1800s.
Detective Garda Philip Galvin, of the CAB, has been credited with the work that led to the discovery.
CAB chief, Detective Chief Superintendent Eugene Corcoran, praised the work of his officers.
“The Bureau is particularly pleased that as part of its investigative work in 2013, this significant piece of artwork has been recovered and restored to the gallery, having been stolen in 1992,” he said.
Based in Paris, Daumier was famous for chronicling modern French urban life.
His works began focusing on satire and he criticised the social, legal and political systems in France under King Louis Philippe.
He spent six months in jail after drawing a caricature of the monarch as Gargantua eating gold coins.
In The Omnibus shows a crowded group of workers and a young child in quiet contemplation as they travel through the city and is regarded as having a powerful resonance as social commentary. Daumier’s work is held in public collections worldwide including the Louvre, The Metropolitan Museum New York and The National Gallery London.
Security tightened to beat jewel thieves at Cannes Film Festival
A year ago, as film festival luminaries partied into the early hours, a thief broke into the hotel room of an employee of Swiss jewellers Chopard and made off with a US$1.4 million haul.
The theft came hours after the premiere of The Bling Ring, Sofia Coppola's film about a group of Californian teenagers who break into celebrity mansions to steal designer items while their A-list owners are out on the red carpet.
Twelve months on, with the jewels still missing, Cannes authorities are preparing to deploy nearly 700 police for this year's festival, which begins today.
Scott Selby, co-author of Flawless about the US$100 million Antwerp Diamond Centre heist in 2003, said the thieves at last year's festival took advantage of "relatively lax" security to snatch items that were normally well protected.
"The Chopard employee left the jewellery in a hotel safety deposit box in her hotel room. That was a mistake," he said.
"All someone needed to do was rip the safe from the wall. The thief did not even need to know how to break it open. He or she simply took it with them."
Also during last year's festival, a US$1.9 million diamond necklace by de Grisogono was taken from under the noses of a reported 80-strong contingent of security guards during a party at the Hotel du Cap-Eden-Roc near Cannes. Two months later, thieves raised the stakes when they struck again, this time taking jewellery worth US$142 million from the Carlton Hotel.
A man with a semi-automatic pistol walked into an exhibition in a wing of the hotel with direct access to the street. He cleared the display cabinets before melting into the crowd on the Croisette, the Cannes promenade.
Selby said the theft had at least some of the hallmarks of the gang of robbers known as the Pink Panthers. They are wanted for stealing items worth US$450 million from luxury stores around the world since 1999.
Insurers Lloyd's of London have offered a reward of up to US$1.3 million for information leading to the recovery of the Carlton exhibition jewels.
But jewel thefts are notoriously difficult to solve. "It's very hard to catch people because it's not the sort of thing people talk about and there is a short window to catch someone," Selby said.
"It's possible that later there's some kind of snitch or they catch somebody for something else who tells them about it. But the loot will have been long gone."
The Carlton jewels would have been smuggled out of France and the stones resold after any certificate numbers inscribed on the sides had been polished off.
Unlike art theft, jewel theft was lucrative because it was relatively easy to get away with, Selby said. Only the most unusual stones would present a problem for the thieves.
"A really nice necklace that's got a giant pink stone or a giant yellow stone that is going to be very identifiable becomes tricky.
"That's where you have a choice to either sell to a buyer willing to buy a stolen item, often in Hong Kong or in the Emirates.
"Or what you have to do is find a corrupt polisher and cleaver in Antwerp and to turn it into two stones or shave a little bit off and put it in a new shape," he said.
The vast majority of these stones would have been one or two carat white or yellow stones that were easy to resell.
Such stones were very probably in engagement rings "that someone is wearing in London right now", he added.
Police spokesman Andreas Angelides confirmed that the request to the Greek authorities will hopefully shed light on the gang’s method of operation and help local detectives in the ongoing investigations of jewellery heists on the island which the Pink Panthers are suspected of involvement in.
The suspects - four Serbian nationals, believed to be ex-military - were arrested in the Kypseli district of Athens last week.
Greek police believe the gang members are responsible for at least 30 jewellery shop heists in the country to the tune of €800,000.
The Pink Panthers are suspected of robbing items worth €450 million in luxury jewellery shops in more than 20 countries since 1999, according to Interpol.
They got their nickname from British police in 2003 when gang members in London hid a stolen diamond in a pot of beauty cream, a trick used in one of the Pink Panther comedy films.
The gang – believed to be a network of around 200 people - commit elaborate armed robberies with extreme precision. Suspected members of the operation have disguised themselves as Hawaiian tourists, workmen and pensioners for jobs and have made their escapes in cars, speedboats, and on scooters or bicycles depending on the location.
Reports are indicating that tax collectors who were going through the contents of a safe-deposit box discovered the long-lost work.
The artwork, titled "Cypress, Sky and Country" disappeared from the Kunsthistorisches Art Museum in Vienna.
Spanish newspaper El Mundo has reported that the painting, which they say was found in December, measures just over 1ft by 1ft.
According to the authorities the landscape painting, which is dated 1889, bears three seals on its back, indicating that the work resided in different museums throughout the 20th century.
The most recent mark appears to be from the Museum of Fine Arts, also known as the Kunsthistorisches Museum, in Vienna.
El Mundo says that the painting may have been created during Van Gogh's stay at the Saint-Rémy-de-Provence asylum in the south of France – the same place the artists created his beautiful painting "The Starry Night".
The safe-deposit box was one of hundreds targeted by Spanish officials in an in-depth tax-evasion investigation.
Authorities in Spain are said to be working on authenticating the painting.
West Yarmouth man charged with theft from antiques show
- FRAMINGHAM - A West Yarmouth man and his father stole a minivan full of antiques from a Holliston antique show last year and admitted to the theft when busted for drugs in Barnstable, authorities said.
FRAMINGHAM - A West Yarmouth man and his father stole a minivan full of antiques from a Holliston antique show last year and admitted to the theft when busted for drugs in Barnstable, authorities said.
Ronald D. Kimball, 27, pleaded not guilty at his Framingham District Court arraignment on Wednesday.
Holliston police issued a warrant for Kimball's arrest last May, but he has been in jail on drug charges since before the arrest warrant was issued. He went to Framingham District Court on Wednesday to answer the charges.
On April 25, 2013, a vendor working at the annual antique show at Holliston High School reported his van full of antiques was stolen from the school parking lot. Police began an investigation and in early May, the Barnstable Police contacted them, according to a police report filed in Framingham District Court on Wednesday.
Barnstable Police had arrested Kimball on several drug charges, and while being interrogated, he offered that he and his father, Ronald Kimball Sr., committed a theft in Holliston, the report said.
He told police they went to the antique show on April 24 to look around, and returned the following day, planning to steal from someone. The plan was to follow one of the vendors home and to steal the car after it was parked, the report said.
However, they saw one vendor load a minivan full of antiques and then go back inside the school, while leaving the van running.
"He stated they took advantage of this opportunity and stole the van," the report said.
The pair drove the van to a nearby location where they had stashed a rental car. They transferred all of the antiques from the van to the car and ditched the van.
They then went to another location and dumped seven bins worth of antiques they thought would be to hard to sell, Kimball told police, the report said. The items were later found and returned to the owner.
Police issued warrants for both Kimball and his father's arrest. Ronald Kimball Sr. has not been located.
The younger Kimball, of 9 Rosetta St., West Yarmouth is charged with larceny of a vehicle and larceny of property worth more than $250.Prosecutors did not ask for bail because Kimball is already being held. Judge Douglas Stoddart did not set bail. Kimball is due back in court on June 19 for a pretrial conference.
Federal agents go on the hunt for stolen treasures
A 2,000-year-old sarcophagus was found in a private collector's Virginia home. He said it was passed down from his father.
But the ancient coffin was actually stolen from Egypt, and sold on an international black market.
"By looking at the cracks and the cuts, it was probably cut up in many pieces and air shipped," said James Dinkins, former director of the U.S. Immigration and Custom Enforcement's Homeland Security Investigations division.
In doing so, the sellers risked ruining the sarcophagus, Dinkins said, "but to them it's just money."
HSI tracks down stolen antiquities smuggled into the United States and returns them to the rightful owners.
"It goes from everything from dinosaur fossils to looted art that the Nazis may have stolen during World War II," Dinkins said.
He said the majority of the buyers know that they're getting stolen items.
"These are usually businessmen, taking advantage of opportunities to sell them to wealthy businessmen," he said.
A CBS News crew was with HIS agents in March when they followed an informant's tip and searched a storage facility in the New York City borough of Queens. They found hundreds of items worth an estimated $8 million.
The items were allegedly stolen by Indian dealer Subhash Kapoor, a man international authorities say has been smuggling artifacts for decades. He is currently on trial after pleading not guilty to looting and smuggling charges.
How do the thieves get the artifacts in the first place? "They'll hire folks to go out to a temple in India and literally chip away and take off decorative pieces from those temples," Dinkins said.
He pointed to one of the recovered items. "This is a real skull."
In the last seven years, HSI has returned more than 7,100 stolen items, such as fossils of a Tyrannosaurus given back to Mongolia, gold ornaments sent back to Afghanistan, and paintings that went back to Peru.
Dinkins says agents often volunteer to work with HSI because the department is unlike any other.
"In many of our cases that we investigate, you can't undo the crime that has happened. In this case, you are literally about to right a wrong, set the clock back and return that item back to rightful owner as if it never left," he said.
They're not only recovering priceless art; they're restoring stolen history.
Gallery holds out hope for missing Spencer painting
A drain cover was thrown through a window to gain entry and two other paintings were damaged when they could not be removed from their frames.
DC Iain Watkinson) of Thames Valley Police appeared on BBC's Crimewatch in 2012 to appeal for information regarding the theft, which carries a reward of £10,000 for a recovery and arrest.
Despite a number of positive leads, the painting has yet to be found.
Chairman of trustees at the Stanley Spencer Gallery, Stuart Conlin, said the gallery is still confident it can be returned.
"We're still hopeful the painting is around," he said.
"Looking at other cases, you see instances of stolen art turning up more than two years later, sometimes its 10, 20 or 30 years after the event.
"If anybody has seen the picture or come across it on their travels in antique shops or jumble sales then please come forward and talk to the police.
"Someone might have it on their wall enjoying it, you never know."
The painting measures about 90cms by 60cms.