Portrait of an art detective: The intriguing investigations carried out the world over to return lost masterpieces
'I've met with a criminal who's been holding onto some very valuable artwork for over 30 years several times at a cafe in Paris'
Art theft - after the trade in drugs and arms - is the highest grossing criminal activity, according to the FBI.
The
crimes that come to the public's attention are usually only the big
cases, like the theft of Leonardo da Vinci's Mona Lisa in 1911 and
Edvard Munch's The Scream, stolen in Oslo in 2004.
Both were recovered and it is thanks to the dogged
determination of people like Christopher Marinello that such
masterpieces are returned to their owners and galleries around the
world. For he is an art detective.
His official title is
executive director at the Art Loss Register, and in his role he has
found more than £160million of stolen artwork for individual collectors,
museums and galleries around the world. One of his recent successes
was recovering a Matisse painting in Essex worth more than £1million,
25 years after it was stolen from the Museum of Modern Art in Stockholm.
Yahoo! News UK and Ireland interviewed Mr Marinello in his London
office.
Yahoo!: What is the Art Loss Register?
Christopher Marinello:
The Art Loss Register (ALR) was established in 1991, it has a database
of 360,000 stolen art items. Rather than just maintaining a list of
stolen items, we actively search the marketplace for whatever is on our
list. I not only recover artwork; I mediate title disputes. For example,
if one millionaire is buying a Degas from another millionaire and the
Degas belongs to Holocaust victims, I facilitate the sale by working out
a solution that satisfies the original owners.
Yahoo!: How often do you find database matches?
CM:
Every week. Say if you're a collector who sees an antique clock on
Portobello Road - you can contact us to make sure it's not stolen. I get
calls all the time from people who claim to have leads on stolen work.
Many aren't plausible like a recent call from someone saying that a
well-known country singer has paintings from a famous Boston Museum
heist.
Yahoo!: When you find a missing work, do you alert the police or meet with suspected art thieves yourself?
CM:
I deal with criminals if I have the permission of the authorities. If
artwork was stolen recently, the police are usually keen to get
involved. If the theft happened 25 years ago, the police aren't as
interested and in those cases I'm given permission to handle the case
myself.
Yahoo!: Is that what happened with Le Jardin,
the Matisse painting that you recently recovered in Essex and returned
to the Museum of Modern Art in Stockholm?
CM:
Yes - a private art dealer in Essex was approached by a guy in Poland
to sell it in the UK so he contacted us to see if it was on the Art Loss
Register. We saw it was stolen so we told the art dealer that we'd
check the painting on delivery and to tell the Polish seller that he was
going ahead with the sale. I also alerted Scotland Yard, just in case
we needed to seize it at the border. Once it was back in the country,
the art dealer was shown all the Interpol and police notices to prove it
was stolen. We drafted a release which he signed and we got the
painting back.
Yahoo!: So the case ends there - you don't try to find out who the thieves are?
CM:
We told the police everything and if they want to investigate the
Polish seller and solve the crime, they can do so. Or the Swedish police
could try to solve the crime.
[Related Article: Matisse Painting The Garden Found By Art Sleuth]
Yahoo!: But in 25 years, the painting probably changed hands so many times that it could be very difficult to trace the original thieves?
CM: You never know. In a case I'm working on now, I've met with a criminal who's been holding onto some very valuable artwork for over 30 years several times at a cafe in Paris. I want to resolve this thing because the family still wants their artwork back. We can prove who owns the artwork but we can't prove he's done the crime so it's a matter of trying to persuade him to give us the artwork.
Yahoo!: How closely do you work with Interpol and other art crime organisations?
CM: Very closely, although Interpol is not a force, it's an organisation that helps officers in one country deal with officers in other countries. On the other hand, the FBI art crime squad is an actual squad of 14 agents. The Italian Carabinieri are a serious art crime squad with 300 officers.
Yahoo!: Are there any new cases you can tell us about?
CM: We've got some really exciting unsolved cases on our books now including works by Modigliani, Braque, Leger, Matisse and Picasso from the Paris Museum of Modern Art theft in 2010 and work from the recent Kunsthal museum heist.
We are also working on getting back a Matisse for a family of Holocaust descendants in New York which is now in a museum in Norway. The documentation we have is signed by Hermann Goering ordering a gallery in Paris which had this Matisse to be closed in 1941. Goering then had the artwork seized and sent the family who owned the gallery to Auschwitz. Because Goering didn't like Matisse, he traded the piece to other dealers in Paris to get the Old Masters that he wanted. That's how it returned to the open market.
Yahoo!: What missing artwork would you really love to find?
CM: The ultimate recovery would be to find the work from the Isabella Stewart Gardner Museum heist in Boston. During the 1990 St Patrick's Parade where every police officer was at the parade, thieves dressed as police stole Vermeer's The Concert (at $200 million, the most valuable stolen artwork in the world), Rembrandt's Storm on the Sea, Manet's Chez Tortoni and 10 more pieces– artwork now valued at half a billion dollars. The museum is so keen to get the work back that they're offering a $5 million reward and anyone returning the work will not be prosecuted for the crime.
Yahoo!: Have the profiles of art thieves changed over the years? Are they getting more difficult to track down?
CM: Thieves are always going to be thieves. Art thieves are common thugs. There's no romance there. The same people who'd steal your wallet would steal artwork. The internet has made it easier track but it's easier for the criminals as well. I can't go undercover anymore for instance because my picture is everywhere. The key is to get more people who buy and sell art to check the Art Loss database.
Stolen Carpet
For your verification, the carpet can be seen on the FBI’s NSAF.
The owners contacted us to help facilitate a private search using our
industry contacts and launching a website for them to possibly aid in
recovery – AntiqueSilkRug.com
The latter is to be promoted on all websites and social networking outlets as the receiving point for leads as well as serve as confirmation for reward(s).
The carpet was stolen from the original owner in suburban New York. This was the only item stolen, and it was specifically targeted. There is reason to believe the carpet is still in existence and efforts to circulate this information is now timely. The high reward is to encourage individual(s) with information that providing a legitimate lead resulting in recovery comes with benefit to all parties. For the owners, recovery of the original carpet will provide resolution, and the return of an item with great sentimental value.
Fine silk Tabriz carpets such as this are highly collectible in pristine condition. There are few of this type of carpet in existence, and those which survive often obtain high premiums when in original condition and sold with legitimate provenance. This particular carpet, titled the “Wedding Carpet”, features several unique attributes making it unusual and rare:
The latter is to be promoted on all websites and social networking outlets as the receiving point for leads as well as serve as confirmation for reward(s).
The carpet was stolen from the original owner in suburban New York. This was the only item stolen, and it was specifically targeted. There is reason to believe the carpet is still in existence and efforts to circulate this information is now timely. The high reward is to encourage individual(s) with information that providing a legitimate lead resulting in recovery comes with benefit to all parties. For the owners, recovery of the original carpet will provide resolution, and the return of an item with great sentimental value.
Fine silk Tabriz carpets such as this are highly collectible in pristine condition. There are few of this type of carpet in existence, and those which survive often obtain high premiums when in original condition and sold with legitimate provenance. This particular carpet, titled the “Wedding Carpet”, features several unique attributes making it unusual and rare:
- It is large in size while still relatively manageable as a show piece.
- Among 19th century carpets, it is an exceptional example.
- The carpet is quite fine, and features a consistent theme through its pictorial imagery.
- It is a one-of-a-kind carpet, as uniquely identifiable as a fingerprint.
An antique Persian silk “Figural” Tabriz made in Iran, size 2.62m x 3.70m.
Most unique are the woven illustrations of courting scenes between Persian [Sassanian] King and Armenian Princess: The love story of Khosrow and Shirin. Each of the thirteen panels in the field are elaborate and ornate, with specific symbolism surrounding the two lovers. Largest of all, the central focal point: A tree-of-life, stemming from a decorative vase, which connects each illustrated cartouche.
There are few carpets of this type and age which combine such a wide range and variety of imagery in such detail. The illustrations together complete an elaborate story. Other included imagery (from the top field down): lanterns of the Orient on either side of an armorial shield, bowls of fruit, pheasants, reclined and seated human figures, and a border illustrating crouching deer. The carpet has many colors; those of which are most prominent include an ivory ground at the center, a redish-rust color of the field background and border, and a third dominant color in abrash ranging of light to medium blue throughout the entire piece.The carpet is also thin and fine in weave, with characteristics similar to a tapestry or fabric, but having a thin pile. The carpet is also pliable, with the ability to fold up similar to how a blanket may be stored.
Size: 8 feet 7 inches x 12 feet 2 inches
2.62 meters x 3.70 meters
An antique Persian carpet made in Tabriz, Iran. Hand woven of silk pile and silk foundation. Cream colored fringe at each end of the 8’7″ width.
In the center of the carpet appears a large tree of life design stemming from an ornate base. The tree of life is portrayed against a cream colored background.
Under the center tree of life, three panels illustrate reclining male and female figures.
The basic color of the carpet is an orange-red or rust, although the carpet is replete with multi colors, especially dark and light blues.
Also depicted in the carpet are the following: – Bowls containing a variety of fruits – Oriental lamps in the two upper corners. The border of the carpet contains alternating medallions of flowers and crouching animals / deer. Read more about this carpet
Reward for information leading to recovery. Even if you do not have information, see how you can raise awareness.
Guilty plea over badge theft from museum
TWO men accused of burglary and theft from the
Inniskilling Museum in Enniskillen have pleaded guilty to their lesser
charges of stealing six helmet plate badges from the property.
57-year-old Carlo Holmes of Clonard Court, Belfast and 33-year-old
James Daniel Carlin, also from Belfast but currently in custody,
appeared at Enniskillen Crown Court yesterday (Wednesday) admitting the
theft on March 6 last year as well as a further charge of criminal
damage to a display case belonging to the museum.
The charges of burglary and theft for both men still remain on the Court's books.
Holmes also faces an additional charge of assault on police, relating to the same date.
After he was rearraigned his defence barrister, Des Fahy applied for a change to one of his bail conditions.
Explaining that Holmes had to report to Grosvenor Road Police Station at 3pm each day, Mr Fahy asked whether his client could have the time changed to 5pm instead. "He would like to collect his godson from school," explained the barrister, "He is trying to build a relationship with him."
The prosecution outlined why police were objecting to the application: "Reporting in the middle of the afternoon rather than later allows his movement to be less 'free' during the course of the day.
"Police are concerned about the fact that his criminal history is not confined to one particular area. The middle of the afternoon reporting suggests he cannot go too far from the area where he resides."
Crown Court Judge Melody McReynolds believed however, that altering the time to 1.30pm was acceptable, particularly since the ongoing flag protests in Belfast were making it harder to get in and out of the city anyway. Both men are to appear again at Laganside Court tomorrow (Friday).
Here we go again, "according museums have the thieves nothing from Catharijneconvent stolen monstrance". Oh yeah? Yet the thefts on. Of course they have something that monstrance. Insured for € 250.000,00 and then in a showcase that can quickly turn into? That regulates the nearest jeweler around the corner better.

















